At the foot of mount Fiji in Japan lies the deeply mysterious Aokigahara forest, widely known as a popular suicide destination. In 2010 alone, there were 54 confirmed cases. Nobody is quite sure what draws people from all over the country, and even further afield, there to end their days, but it has a long association with the Yurei of Japanese mythology, similar entities to what we would call ghosts. Yerei pray on the sad, lonely and vulnerable, using their own negative emotions against them. Sounds more like the script of a horror movie, right? Well, now it is, thanks to producer David S Goyer (the Blade franchise, Da Vinci’s Demons, and cult noughties TV show FreakyLinks) reading about the forest on wikipedia.
Game of Thrones star Natalie Dormer plays an American woman who recieves a phonecall from the Japanese authorities saying that her identical twin sister has ventured into the Aokigahara forest and has not been seen since. Obviously, she gets on the next plane to the land of the rising Sun and rocks up to the very same hotel her sister was staying where she meets a western journalist who seems just a little too eager to help. Together with a guide, they head into the forest in search of the missing sister. All in all, it’s a good premise for a film. It’s atmospheric, well-produced, and for the most part well executed. It’s a pity the film lets itself down in other areas. The plot kinda drifts off and cannibalizes itself toward the end, and there are some mildly annoying oversights. For example, when Dormer’s character first meets the journalist (Taylor Kinney, aka Mason Lockwood of Vampire Diaries fame) she tells him how the sisters lost both their parents in a car accident caused by a drunk driver who was never caught. But… if the driver was never caught, how did anyone know they were drunk? They could just be a really shit driver. You would think with all the untold millions lavished on film production these days, somebody somewhere along the line would notice such a gaping plot hole. Evidently not. Sigh.
As you would expect, the film is laced with the kind of creepy, unsettling horror you would expect from something so Japan-centric, though it has minimal input from anyone actually Japanese apart from a few actors, which you would think was the minimum requirement. For the most part, it wasn’t even filmed in Japan. The Japanese government don’t allow filming in Aokigahara forest so apart from a few scenes shot in Tokyo, the bulk of the movie was filmed in a warehouse Serbia. I shit you not. The forest is suitably creepy, though, and there are some sleek touches.
On its release, The Forest was met with an avalanche of criticism and almost universal bad reviews. It has an overall rating of 9% on Rotten Tomatoes and let’s face it, it doesn’t get much more rotten than that. Even the regrettable Rocky V managed 28%. Does that mean the film most Rocky fans refuse to acknowledge is three times better than The Forest? Not at all. It could be better but plot holes aside, for the most part I actually enjoyed it. It’s a crazy world.
The original version of this review appears in the latest Morpheus Tales supplement, available FREE