Title: Hide and Go Kill
Year of Release: 2008
Director: Tomoya Kainuma
Length: 72 mins
Starring: Saki Yamaguchi, Haruka Misaki, Rui Ono, Aimirora
I’ve been quietly obsessed with internet rituals for a few years now, ever since I stumbled across something about the mysterious death of Elisa Lam online. Merging technology and the paranormal, which could be a metaphor for Japanese horror itself, internet rituals (or games) have cropped up in my writing several times, not least in my forthcoming novella Tethered, and Hitori Kakurenbo which translates to ‘hide and seek alone’ and was my contribution to 100 Word Horrors 2. Hide and Go Kill is based on the same ritual. In true urban legend fashion, the details vary between sources but in a nutshell, the instructions are as follows:
Get a doll, remove the stuffing, replace it with rice, throw in some of your blood or nail clippings (gross) then sew it back up with red thread and give it a name. Preferably something good and scary. At 3 am, turn off all the lights but leave on the TV then go to the bathroom, fill a bucket full of water, and place the doll inside. Saying “I see you (name),” stab the doll with a sharp knife, then go and hide. If you manage to perform the ritual correctly, you’ll soon start to experience certain unexplained phenomena like hearing noises from an empty room and then, you guessed it, the doll will come to find you, hence the name ‘hide and seek alone.’ Either that, or you might commit suicide or disappear without trace. Good times had by all!
The movie version opens with one of those simple yet spooky white-on-black introduction sequences consisting of what’s (I think) meant to be an exchange between several people on the comment section a blog, one of whom is explaining that a friend of theirs played hide and seek alone and didn’t come out of it very well. The film proper begins in a Japanese classroom. If you’re a fan of J-Horror as I am, you’ll know that all the best twisted shit starts in Japanese classrooms, and Hide and Go Kill is no different. Here, there’s a girl called Midori (model and actress Yamaguchi) reading a blog on her phone and remembering her absent friend, Fumika, who after being jilted by her lover and bullied at school discovered the Lonely Girl blog and tried repeatedly to persuade Midori to play hide and seek alone (“Fuck the fuck off, Fumika!”). Eventually she succumbs, of course she does. The blog, and by extension, the game, spreads, and the horror takes hold. The film is essentially an anthology of sorts, each segment following a different person’s experience with the common denominator being the blog (poorly translated in the movie as a ‘mobile novel’) and the ritual it pertains to, culminating with the origin story. True, this movie follows a popular template and in places is slightly derivative of certain J-Horror staples, notably Ringu. Also, the subtitles are atrocious.
In a scathing review, BloodyGoodHorror.com said, “It’s boring. Real boring. Each story also has to show how the characters first learned about this stupid game. In each case, it’s through some text-message released novel called “Lonely Girl”. As described in the film, “Lonely Girl” is so dark and twisted that very few people would read it. Problem is, every single fucking person in the movie reads it. As do all of their friends.”
Well, you know what they say about opinions.
Mine happens to be that while it is far from perfect, Hide and Go Kill isn’t completely without merit. In fact, as a concept it’s pretty damn good. At the time of release over a decade ago it was quite innovative, and it benefits greatly from the general skin-crawling creepiness so often associated with J-horror. Mood. You won’t find much about it online, apart from a few mixed reviews and a very basic IMDB listing. I couldn’t, anyway. Despite spawning a sequel a couple of years later (Hide and Go Kill 2 or, alternatively, Creepy Hide and Seek, which has to be the worst name for a movie ever) it’s almost like the film slipped completely under the radar. However, if by chance you have Amazon Prime you can watch it in full there. Don’t forget to turn on the subtitles, unless you happen to be fluent in Japanese.
Word is that the movie spawned the ritual, rather than the other way around. Clever producers or PR people invented the game and floated it out to popular message boards as a form of guerrilla marketing where it soon took on a life of its own.
Tethered is available now on Terror Tract Publishing.