Surzhai in ParABnormal magazine

My short story Surzhai, about an ill-fated meeting between modern day sex traffickers and a bunch of ancient Chinese warriors with supernatural powers and an axe to grind, has just been published in ParABnormal magazine.

I wrote the story in the summer of 2019 after returning from a road trip through the Guangdong countryside with my then-girlfriend. We saw a lot of little isolated dwellings, and I began to wonder what life was like in those places, largely removed from the trappings of modern life. I’d read a news report about young girls being kidnapped in rural China and being sold into the sex trade, and as we all know, at least in fiction, you can’t have evil without good. Everyone loves a revenge story. Somehow, all these things became intertwined in my mind, and Surzhai emerged.

The Mandarin words ‘sur’ and ‘zhai’ combined mean something close to ‘Death Cult’ in English, at least colloquially, though I know it isn’t a direct fit. My Mandarin is awful, and I was scrambling to find something authentic sounding which had some kind of relevant meaning. It was a balancing act. You can send complaints to the usual address.

ParABnormal Magazine is a print digest released by Hiraeth Publishing which publishes original stories, articles, art, reviews, interviews, and poetry.

From the writer’s guidelines…

The subject matter of ParABnormal Magazine is, yes, the paranormal. For us, this includes ghosts, spectres, haunts, various whisperers, and so forth. It also includes shapeshifters, mythological creatures, and creatures from various folklores. If your story also has science fiction or fantasy elements, we regard that as a plus.

One last word on language and linguistics. Hiraeth Publishing are based in Iowa (like Slipknot!), but interestingly enough, ‘Hiraeth’ is an old Welsh word. There is no direct English translation but it means something close to ‘homesickness’ or a sense of yearning/regret. As a proud Welshman, that struck a chord with me.

The latest issue of ParaABnormal is available now…

 

RetView #36 – The Blair Witch Project (1999)

Title: The Blair Witch Project

Year of Release: 1999

Director: Daniel Myrick & Eduardo Sanchez

Length: 81 minutes

Starring: Heather Donahue, Michael C. Williams, Joshua Leonard.

 

Unless you’ve been living under a rock for the past twenty-one years (yep, that long) you must have heard a lot about this month’s #RetView entry. Among other things, The Blair Witch Project has been labelled a cult classic and credited with both exposing the world to viral marketing and ushering in the now loved and equally-loathed Found Footage genre. Personally, I’m in the former camp. Like I’ve said before, I fucking love a good Found Footage flick. The whole point of this series is to watch old(ish) films through a new lens, to see how they (or other things) have changed. Sometimes it’s useful to have a whole new set of eyes to look through, too. The first time I saw this movie was with my then-girlfriend in Wales. The second time I saw this film, over two decades later, was with a different girlfriend in a different country, who knew very little about The Blair Witch Project and the impact it made. The effect was remarkable. While it was by no means the first movie to use the found footage technique, it was the first to expose the general public to what was then a largely experimental form.

You’re probably familiar with the premise. But in case you’re not, The Blair Witch Project tells the story of a trio of student film makers who head off into the woods to investigate a local legend. Smart move. It won’t surprise you to find out that they all disappeared, leaving behind their equipment. The footage in the movie, showing the spooky events leading up to the disappearances, was supposedly discovered a year later.

I don’t know how many people reading this can remember the pre-internet world. Probably not many. Before websites and social media platforms dominated our lives as they do now, us horror buffs got most of our news and information from magazines and newspapers. The internet was there, obviously, but still in its infancy and ripe to be exploited. When it was released in 1999, the world was feverishly prepping for the Y2K bug which would apparently wipe out life as we knew it. It was a weird time. In that paranoid, twitchy climate, The Blair Witch Project rode a wave of publicity based on the fact that at first, most people didn’t know if the footage used in the movie was actually real or not. Rumours and speculation, both online and in the press (fuelled by the fact that the actors all used their real names rather than those of characters adding yet more ambiguity and realism) were rife. Artisan, the company that bought the rights to the film, allegedly spread false rumours about the actors’ demise, and deliberately failed to quash online speculation. Just the thing that makes a marketing department smile. It was one of those rare moments in cinematic history where the planets align and a little indie film destined for obscurity goes global. In this case, raking in over $248 million from a budget of just $60,000 (some sources say the true figure was closer to $25,000) proving that miracles really do happen, even in Hollywood.

Truth be told, Myrick and Sanchez squeezed an awful lot out of that $60,000. The then-innovative shooting style meant that they could get away with a lot that would be noticeable in a conventional film, but this is still remarkable in its simplicity if nothing else. It was spliced together from 20 hours of raw footage taken over eight days in Maryland, and much of the dialogue was improvised on the spot. Rumour has it that they wanted have the Animals’ ‘We Gotta Get Out of this Place’ playing on the car stereo at the beginning, but had to veto the plan when they realized that they couldn’t afford the rights.

Even now, when you’re fully aware that most of the hype was just that, you can’t fail to be impressed. The acting is superb and there are some genuinely jumpy moments. Just for the record my second viewing companion, who was completely oblivious to all the hype, agreed. I tried convincing her the footage was authentic, and she almost believed me for a while. But people who grew up with the internet are much more savvy and less easily fooled. Regardless, The Blair Witch Project is a modern classic. If you’ve already seen it, I urge you to watch it again. Preferably with someone who hasn’t. And if you haven’t seen it, what are you waiting for? Go discover the legend.

Trivia Corner:

In one notorious scene, the teeth Amanda who, incidentally, is now a medicinal marijuana grower, found in the twigs were actual human teeth, supplied by Eduardo Sanchez’s dentist, and the hair belongs to Josh.

 

Tethered is out now!

My new novella, Tethered, is out now on Terror Tract Publishing.

Craig, a journalism graduate trying desperately to get a foothold in a fading industry, is going nowhere fast. While searching for a project to occupy himself, he stumbles across a blog written by a girl called Kami about internet rituals – challenges undertaken by those seeking to make contact with ghosts or other supernatural entities.

Craig becomes obsessed, and when Kami suddenly disappears he goes in search of her. From there he is powerless to prevent his life spiralling out of control as he is drawn deeper and deeper into a dark, dangerous world where nothing is quite what it seems. A world populated not just by urban myths and hearsay, but by real-life killers.

He thinks he is in control, but nothing can be further from the truth.

Tethered is available now on paperback and ebook from Terror Tract Publishing.