Category Archives: publications

X: Omnibus is out now!

Look what I did!

The complete published short fiction of dark fiction writer C.M. Saunders taken from the pages of Raw Nerve, Roadworks, Dark Valentine, Fantastic Horror, Siren’s Call, Screams of Terror, Gore magazine, the Literary Hatchet and many more magazines, ezines and anthologies in one bumper volume.

X-omnibus

Includes everything from the first three X collections of short fiction, the stand-alone Human Waste, and two bonus stories exclusive to this collection.

Contents:

Thin Disguise
A Hell of my Own Creation
Monkey Man
The Awful Truth
Mr. C
Fame / Infamy: A Deconstruction
Another False Dawn
The Night Everything Changed
The Devil & Jim Rosenthal
Club Culture
Little Dead Girl
Curiosities
Intruder
The Night Visitor
Hero of the Day
Embracing Solitude
Treat Night
Handsome Jack
Tiny Little Vampires (Flash Version)
Roadkill
‘Til Death do us Part
Gwraig Annwn
The Delectable Hearts
The Answer in Darkness
What Happened to Huw Silverthorne
What Happened Next
Altitude Sickness
Switchblade Sunday
Slots-a-Pain
The Elementals & I
Human Waste
Coming Around
The Forever Nameless
Afterword

Out now on paperback and ebook.

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X: Omnibus – Cover Reveal

Greetings! I am excited to announce the imminent release of my next project. And this is a BIG one. Details to follow soon, but in the meantime I wanted to give you a sneak preview of the stonking new cover art designed by the ludicrously talented Greg Chapman.

What do you think?

X-omnibus

The ebook is available for pre-order, and through some strange quirk of fate, the paperback is out now.


2018 in Review

2018 was a busy writing year, though I feel I didn’t really achieve much. Isn’t that always the way?

In the first quarter, I focused on writing some short stories and flash fiction, thrashing out over a dozen pieces ranging from an apocalyptic 100-word drabble to an 8000-word zombie splatterfest. Then I turned my attention to my Joshua Strange series of YA adventure books and wrote a third installment. That took all summer. I also went back and edited the first two books. I’m happy with the series so far, but still trying to find the right agent to rep them. I’ll be taking a step back from that project and waiting to see how things develop.

I released two books in 2018 – X3, the latest installment in my on-going series of short fiction collections, and a revised version of a novella called Dead of Night, which was first put out by Damnation Books in 2010. As both books were pretty much already written, they weren’t very time-consuming. I just had to polish them a little, format them, and commission some cover art. I also had short fiction published in Crimson Streets, Indie Writer’s Review, TwentyTwoTwentyEight, Deadman’s Tome and The Horror Tree, as well as the anthologies 100 Word Horrors, Digital Horror Fiction, and Terrors Unimagined. Perhaps best of all, from my perspective anyway, on the back of a Bookbub promotion I managed to scrape into the Top 40 of Amazon’s list of horror writers for the first time.

Finally, bringing you right up to date, I just finished my latest novella, Tethered, which explores the phenomena of Internet rituals. More news on that coming soon. Until then, I just want to express a heartfelt THANK YOU for all your support. I truly appreciate every like, comment, share and insult. If you’ve ever read any of my books, please think about leaving a short review on Amazon or Goodreads. It would really mean a lot.

Have a great 2019.

dead-of-night-reissue


Angst or Ecstasy on Page & Spine!

I’m pleased to announce some of my micro-fiction is free to read now on Page & Spine: Fiction Showcase

Angst or Ecstasy is one of my more experimental pieces, and is all about a man’s nocturnal encounter with the succubus of legend.

Succubus: A female demon believed to have sexual intercourse with sleeping men.

I had to edit it a little, at the publication’s request, not to:  “Scare the little old ladies in the audience, some of whom are men.”

Brilliant.

You can read Angst or Ecstasy HERE

WARNING: Adult content


Coming Around (drabble)

Last year I was invited to contribute to an anthology of horror drabbles Kevin Kennedy was putting together. A drabble is a 100-word story. No more, no less. The antho was a huge success, and I thoroughly enjoyed branching out into another form of writing.

I’ve kindly been granted permission to share my contribution with you, so here it is.

Coming Around

By C.M. Saunders

He was being chased down a long, dark tunnel by a pack of dogs. He couldn’t see them, but he could hear them panting and snarling. They were gaining on him. His chest burned. Couldn’t catch his breath. Shooting pains.

Then the tunnel and the dogs began to melt away, and Duncan’s world was spinning into focus. That was a dream?

Where the fuck was he?

Then he remembered. The operation. The heart surgery. He tried to open his eyes. Couldn’t. Too soon. But he could hear noises, like someone tuning a radio. Voices.

“Too bad we couldn’t save him.”

Get it?

There was a lot to fit in, so let me explain a little. It started with hell hounds, who according to mythology, turn up to drag the evil to hell when they die. Then there was a tunnel, so often reported by people on their death beds, the heart surgery (chest pains), and finally the right hook at the end. Yep, our hero is dead. He died during the operation, hence the hell hounds and the tunnel. But I also tried to pose a question. If he’s dead, how can he still hear the doctors talking? Does that mean he’s a ghost? Or do your senses continue for a short while after your vital signs fade?

You decide.

In her review of 100 Word Horrors, Erica Robyn said of Coming Around:

Absolutely terrifying!! This one is a straight up nightmare! 5/5

Thanks, Erica!

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Review of X3 by Bloody Good Horror Books

Review of X3 by Renier Palland at Bloody Good Horror Books:

“X3” by author Christian aka C.M. Saunders is a short collection of short horror stories he had published over the years. He begins his anthology with a piece called “Introduction: The Final Curtain” where he muses over death and mortality, and how it permeates everything, including literature. It’s what Friedrich Nietzsche called the “Death Drive”. Oddly enough, this rather obtuse opening led to some rather interesting short stories. The first story, “‘Til Death Do Us Part” is zombie fiction without the zombies. It’s primal, brutal and asks us what we’d do to survive for one more second on this godforsaken planet. Saunders brought the point home with this valiant line: “They were fighting and fucking everywhere like animals”. This matter-of-fact method of writing immediately piqued my interest. I knew I was onto something good.

Throughout the good short stories – not the bad ones – Saunders weaves a tapestry of horrifically fun humour and below-the-belt madness. There’s even a short story about a troll, with a sequel to the short story about the troll! As with all short story writing, each piece has to end in a solipsistic finale, a final twist to end all twists. I liken it to twisting the knife in a piece of meat. It’s an extremely difficult, well-documented feat. There are essays written about how a short story should be structured, compiled and created. If a writer lingers on a paragraph for too long, the short story is ruined and ends up in the tried-and-failed dustbin. Aside from poetry, short story writing is the most difficult literary art form. When an author gets it right, he or she really gets it right. But a short story can also turn into a bizarre, self-indulgent and experimental freak show. My point being, Saunders’ short story anthology has a touch of Bipolar, with extreme lows (“Gwraig Annwn” and “Slots-a-Pain”) and manic, thrilling highs (“The Delectable Hearts”, “Switchblade Sunday” and “The Elementals and I”).

He is an extremely friendly guy who wrote exactly what was needed to get our attention for an immediate review. He is also an excellent writer, but I don’t agree with putting all of your eggs into one basket, i.e. Putting short stories together from over the years into one volume. He should have been much more careful with his choices. I understand what it feels like to have that specific short story you wrote, the one which didn’t get the recognition it deserved, finally published. I’m also an author and I understand that inherent need. However, as a reviewer I have to follow extremely harsh guidelines in order for my review to have any merit or credibility in the real world.

Saunders failed with some of his short stories. I wanted more. I needed more. But there was nothing except an experimental foray into death literature. The stories which did work were extremely well done, brilliant even. I can easily say that “‘Til Death Do Us Part” will stick with me (no pun intended – look out for the ending) for a very long time. It was interesting, tragically beautiful and filled with a post-apocalyptic essence akin to “The Road” by Cormac McCarthy. “The Delectable Hearts” was a curious and interesting meta-commentary on the entertainment industry. I used to be a writer and reviewer for a worldwide entertainment media group, so I understood the character’s journalistic instincts to get the scoop on a new music band. The ending, as with the former, was both unsettling and optimistic – an awkward, albeit exciting paradox. I enjoyed every second of the better short stories in the anthology, but much like a music album, an anthology has to be structured in a specific way to maximise the audience’s interest. This was not the case with “X3”. It felt haphazard and loose, as I went from a high to a low. Perhaps Saunders intended for the anthology to read like a rollercoaster? It’s possible, not wise in my opinion, but possible.

The anthology was fun to read. I think Saunders’ dark humour played a role here and he managed to save several of the shorts by using the gallows’ humour literary mechanism. Technically, some of the shorts were ravaged by editorial oversights, e.g. “twist in the tail” instead of “twist in the tale”. Malapropisms shouldn’t be left untreated as they can easily infect a literary wound. However, for the sake of this review, I am willing to overlook the technicalities because everything else was written perfectly. Saunders didn’t make many mistakes. His tempo was fluid, his narrative structure was constrained enough to allow the short stories to develop on their own, and his literary mechanisms were used correctly.

Saunders is definitely a great writer with unparalleled potential. His shorts were good enough to make me seek him out when I’m looking for my next read-of-the-day. Imperfection is sometimes more beautiful than perfection. This is true in Saunders’ case.

And the fact that he knows how to truly imbed subtle humour into his work – something most writers are completely unable to do.

RATING: 4 out of 5

X3 is available now. Check out more from Bloody Good Horror Books HERE.

X3


The Bookbub Experience

People have reported mixed experiences with the book marketing company Bookbub. There are both success stories and horror stories. For what it’s worth, I’m going to share mine.

First, a bit of background. Bookbub is a service which provides readers with free or heavily discounted books. Writers pay to have their books included in ‘Featured Deal’ email blastings which can reach hundreds of thousands of potential customers. The details vary, depending on the genre and package you select (which again varies according to your selected territories and size of discount you are offering).

Lots of other book promotion companies use a similar model, but with Bookbub being the biggest, it represents the best results. It’s also the most expensive. But most writers look at the fees as a necessary expense. You have to spend money to make money, right?|

To even qualify for a Featured Deal, your book also has to fulfill certain criteria like have a set number of reviews and a professionally-produced cover. It also has to undergo a quality check. It isn’t easy to be accepted. My book Sker House was rejected several times before finally being selected a few months ago. Upon acceptance, I chose my package, paid the exorbitant fee, and waited anxiously to see what would happen.

At first, things didn’t go to plan. It was entirely my fault. Long story short, when I dropped the price of Sker House to qualify for the Featured Deal I misjudged the currency conversion rates in the US, Canada and Australia, which resulted in the book not being the price I said it would be on the dates I said it would. Bookbub rightly pulled my promotion for not adhering to the rules. To their credit, they were great about it, and after I emailed them to explain my mistake and did a bit of begging, they reluctantly agreed to reschedule my promotion at no extra cost.

Phew.

As an indie writer with a dozen or so books out there, unless I do some kind of promotional activity, I consider myself lucky to sell a handful of books a day. I am under no illusions. I know a lot of writers sell more than me. Some sell less. You can imagine my surprise when I got up the morning my Featured Deal went out to Bookbub’s subscribers, checked my KDP account, and found Sker House had sold close to a hundred copies in just a few hours. Every time I hit ‘refresh’ it showed more sales. At its peak, I was probably selling around a book a minute. Sker House has done reasonably well since it came out. I did a successful blog tour to help it along, and it picked up some decent reviews. But nothing I’d done previously came close to this.

I logged into Author Central and checked my author ranking to find I was suddenly sitting pretty at number 71 in the ‘Most Popular Horror Writers’ category. By some strange twist of fate, I was also number 72, because Amazon evidently thought C.M. Saunders and Christian Saunders were two different people.

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The sales kept coming, and my alter-ego and I kept climbing the charts. Later that evening, a couple of hundred sales later, I peaked at numbers 37 and 38. I might have gone even higher. I like to think I took the Number one slot from some befuddled old bloke called Stephen King at some point whilst I slept.

Of course, it couldn’t last.

After the initial sales flurry subsided, Sker House continued selling in double digits for a few days afterwards. By then, it had gone back up to full price, so I received a higher royalty percentage. By my calculations, taking into account the reduced promotion price and the associated royalty percentage in each territory, I needed to shift around 800 downloads to cover my costs.

That’s a lot of books.

I didn’t really expect to sell that many, and I didn’t. At the final reckoning I got close, maxing out at just over 600, but there were other benefits. On average, my daily sales remain higher than they were before. Over the promotion period I also sold more copies of my other books than I usually do, which I didn’t factor in, and my KU ‘pages read’ went through the roof. I usually get several hundred a day, but since the promotion that has increased to several thousand and has remained consistent ever since. One day, I had over 7,000, probably my highest ever. Over a month later, and those numbers are still holding. I’m optimistic that all these sales and reads will translate into a couple of new reviews in the not too distant future. Also, my blog hits increased exponentially, more people have followed me on Twitter and my Facebook author page, and then there was the small matter of cracking Amazon’s Most Popular Horror Writer list for the first time. I feel like I’ve finally reached then next level.

So the all-important question everyone wants to know, did I make a shit load of money?

No. All things considered, I’ll probably just break even. But I certainly don’t regret doing it. Between the hundreds of sales, the extra exposure, and the thrill of it all, it was a worthy investment.

Long live Bookbub.

sker house cm saunders cover 1

 


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