Category Archives: publications

X4 – ToC

X4, my latest collection of short fiction, is out now.

Grin.

Check out the cover art by the awesome Greg Chapman.

X4

As promised, here is the complete ToC along with the original publishing credits:

Band of Souls has previously appeared in the anthologies Return of the Raven (2009) and Fearful Fathoms, Volume 1 (2017)

As the Crow Flies was first published in QuickFic Anthology 2 (2016)

Jessica was first published in Liquid Imagination (2016)

Jumping at Shadows was first published in Matt Hickman’s Sinister Scribblings (2017)

Other Me was first published in Feverish Fiction (2017)

Vicar on the Underground was first published in Monsters Among Us (2016)

The Past Entombed was first published in Echoes & Bones (2017)

My Tormentor was first published by The Horror Tree (2018)

Lakeside Park was first published in Terrors Unimagined (2017)

Harberry Close was first published in Dead Harvest (2014)

Afterword

X4 is on Amazon now.

US LINK

UK LINK


2019 in Review

It’s that time of year again…

Another one ‘in the books,’ so to speak. And time for another quick review.

2019 kicked off in a high gear for me. In January I finally finished the final edits of my novella Tethered and started punting it around carefully selected publishers, and placed drabbles in 100-Word Horrors volumes 2 and 3, to follow-up my appearance in the first volume.

Saunders for the hattrick.

I also finished compiling X: Omnibus, a collection of all three of my short story collections to date, plus some other odds and ends. I’d already commissioned a cover from the sublime Greg Chapman, but even though most of the stories have been published before in various places, many of them still needed a bit of spit and polish. That process complete, I then had to format both the paperback and ebook versions and set about the task of marketing the sucker. I try to do a couple of guest posts at horror blogs and sites around every release. I find it beneficial, as well as fun. Most notably, this time around I popped up on Kendall Reviews discussing why I write horror.

In the first quarter of the year I had a couple of ‘quiet horror’ stories accepted into anthologies. Specifically, Down the Road appeared in a two-volume anthology on Smoking Pen Press entitled Vampires, Zombies & Ghosts, and Where a Town Once Stood was included in the Corona Book of Horror Stories. Obviously, I couldn’t stay ‘quiet’ for long and indulged my wild side in Trigger Warning: Body Horror from Madness Heart Press which included my surrealist skit Revenge of the Toothfish. Tiny Little Vampires was in a similar vein, and that was published by Tell Tale Press and elsewhere, The Bell showed up in Dark Moments.

With seven (count ’em!) new short stories being published, 2019 was probably my most successful ever calendar year in fiction. I also wrote seven or eight more shorts of various lengths and made a start on a new novel about a P.I. (Paranormal Investigator) and his cat I’ve been planning for a long time. For the most part, my fiction has taken a slightly surreal turn. There have been disembodied fingers poking through plugholes, giant cockroaches, and assassins with supernatural abilities. Still, most of the time, I’ve been living in China and writing non-fiction under a pseudonym. There are a lot of good reasons why I use a pseudonym when I write about my adventures and misadventures in the Middle Kingdom, which I won’t go into here. Let’s just say what happens in China is often best left in China, and written about by some other dude with a fake name. But it’s no big secret. If you want to know who this guy is, PM me and I’ll probably tell you, as long as you’re not the thought police.

*Nervous grin.*

I’m quite excited about this coming year. My RetView series of blog posts where I re-visit classic horror movies is picking up more readers and going from strength to strength, the latest installment of my X series of short fiction (imaginatively entitled X4. I like to keep things simple) is set to drop soon, and I’ve already had a couple of stories accepted into anthologies penciled in for 2020 releases. Hopefully, I’ll also have some new material which I’ve been working on for a while out in the second half of the year, so watch this space!

Thanks for reading.

2018 in Review.


What’s in the Dead of Night?

Last year, after the rights to Apartment 14F, one of my earlier novellas, reverted back to me, I was finally able to polish it up and put out the version I wanted to. Now, I am giving the other book published by Damnation Books the same treatment.

I haven’t read this story for years. I don’t tend to go back and read stories once they’ve been published. It’s partly because I see writing as a continuous process. I’m a better writer now than I was eight years ago when Dead of Night first came out, and I’m probably a better writer than I was last week. But I have to say, this wasn’t as bad as I thought it would be.

From the double-meaning title to the cheesy one-liners and OTT violence, Dead of Night probably represents my first shambling steps into splatterpunk territory. It’s one of the first things I wrote that had a female protagonist. And no, it’s not because I’m sexist. I just didn’t think I would be able to write a strong female character convincingly. It took me a long time to realize that well, men and women aren’t very different after all. For this story, I thought I’d turn the usual set of circumstances on their head and have the gal saving the guy for a change. During the course of the story I grew very fond of Maggie.

I found the story flowed quite well, there weren’t many grammatical errors, and I was happy with the overall pacing. The only thing that lets it down is the fact that in some parts, it’s pretty dated. It’s been almost a decade since I wrote it. At the beginning, I had Maggie and Nick Arguing over what CDs to play in the car. Do cars even have CD players anymore? I suppose some still do. But for how much longer?

Dead of Night is packed full of pop culture references. Music, films, books. In the first version the dead celebrity Nick and Maggie discussed in the beginning was Michael Jackson. Since then Prince died, so for the reboot, Prince gets the nod. I always preferred his music anyway. There was a period in the second half of the eighties when he was untouchable. MJ does still get a name check, though, and I gave Meatloaf a nod by nicking one of the lines from ‘Paradise by the Dashboard Light’ (I’ll probably get sued for that). I even slipped in the phrase ‘motley crew.’ Proud of that one.

If you’re a connoisseur, you might catch some of the movie references, too. The ‘Romero’s zombies’ one is easy to get, and the whole Nick losing a hand thing is a thinly-veiled homage to Evil Dead. Butch Cassidy and the Sundance Kid also makes an unlikely appearance.

In a lot of my stories I drop the names of Cardiff City FC players, past and present. It’s kind of an in-joke nobody fucking notices except me. Steve McPhail and Jay Bothroyd are definitely from the past. I was going to update them, but then I decided it wouldn’t make much difference. McPhail and Bothroyd are still great players and deserve their place in history.

Reading it back now all these years later, though I might not have been aware of it at the time, Dead of Night is clearly a tribute to the King of splatterpunk, Richard Laymon. I even use the word ‘rump. ’ If you aren’t familiar with his work, the joke is that he used ‘rump’ A LOT. At every opportunity. A couple of times a page. It was one of his trademarks.

Perhaps the hardest adjustment I had to make when I knocked out the original version was that I had to write it in ‘American.’ I rarely do that. The vast majority of my stories are set in places I have lived – Wales, England or China. However, because the story is about American Civil War zombies, this one had to be set in America. There was no way around it. I have visited a few cities in America, but never the Deep South where the story is set. Some artistic license was used there.

I found a couple of continuity errors, even after two rounds of editing by the publisher. That sucked. I had my happy couple hiking several hours to their camp site, then ‘nipping back’ to their car to grab hoodies when it got cold. That was improbable. Perhaps even more improbable than the other stuff going on. Oh, and I know guns probably wouldn’t still work after being in the ground for 150 years or so but fuck it, I wanted them to work so they did. It’s my story.

Finally, I added about 2000 words, took out the chapters, and inserted more line breaks. I originally wanted to tell the story through two POVs simultaneously, flashing back and forth from one to the other. But of course, that’s extremely difficult to do without head-hopping all over the place, so line breaks it is.

Check out the all-new cover art by Greg Chapman:

dead-of-night-reissue

All things considered, I’m pretty happy with this reissue. The book has been out of print for a couple of years now, apart from a few ropy second-hand paperbacks floating about on Amazon. It’s an important part of my back catalogue, and I’m glad it’s finally available again.

Dead of Night (Revised edition)  is available now on paperback and ebook.


X: Omnibus is out now!

Look what I did!

The complete published short fiction of dark fiction writer C.M. Saunders taken from the pages of Raw Nerve, Roadworks, Dark Valentine, Fantastic Horror, Siren’s Call, Screams of Terror, Gore magazine, the Literary Hatchet and many more magazines, ezines and anthologies in one bumper volume.

X-omnibus

Includes everything from the first three X collections of short fiction, the stand-alone Human Waste, and two bonus stories exclusive to this collection.

Contents:

Thin Disguise
A Hell of my Own Creation
Monkey Man
The Awful Truth
Mr. C
Fame / Infamy: A Deconstruction
Another False Dawn
The Night Everything Changed
The Devil & Jim Rosenthal
Club Culture
Little Dead Girl
Curiosities
Intruder
The Night Visitor
Hero of the Day
Embracing Solitude
Treat Night
Handsome Jack
Tiny Little Vampires (Flash Version)
Roadkill
‘Til Death do us Part
Gwraig Annwn
The Delectable Hearts
The Answer in Darkness
What Happened to Huw Silverthorne
What Happened Next
Altitude Sickness
Switchblade Sunday
Slots-a-Pain
The Elementals & I
Human Waste
Coming Around
The Forever Nameless
Afterword

Out now on paperback and ebook.


X: Omnibus – Cover Reveal

Greetings! I am excited to announce the imminent release of my next project. And this is a BIG one. Details to follow soon, but in the meantime I wanted to give you a sneak preview of the stonking new cover art designed by the ludicrously talented Greg Chapman.

What do you think?

X-omnibus

The ebook is available for pre-order, and through some strange quirk of fate, the paperback is out now.


2018 in Review

2018 was a busy writing year, though I feel I didn’t really achieve much. Isn’t that always the way?

In the first quarter, I focused on writing some short stories and flash fiction, thrashing out over a dozen pieces ranging from an apocalyptic 100-word drabble to an 8000-word zombie splatterfest. Then I turned my attention to my Joshua Strange series of YA adventure books and wrote a third installment. That took all summer. I also went back and edited the first two books. I’m happy with the series so far, but still trying to find the right agent to rep them. I’ll be taking a step back from that project and waiting to see how things develop.

I released two books in 2018 – X3, the latest installment in my on-going series of short fiction collections, and a revised version of a novella called Dead of Night, which was first put out by Damnation Books in 2010. As both books were pretty much already written, they weren’t very time-consuming. I just had to polish them a little, format them, and commission some cover art. I also had short fiction published in Crimson Streets, Indie Writer’s Review, TwentyTwoTwentyEight, Deadman’s Tome and The Horror Tree, as well as the anthologies 100 Word Horrors, Digital Horror Fiction, and Terrors Unimagined. Perhaps best of all, from my perspective anyway, on the back of a Bookbub promotion I managed to scrape into the Top 40 of Amazon’s list of horror writers for the first time.

Finally, bringing you right up to date, I just finished my latest novella, Tethered, which explores the phenomena of Internet rituals. More news on that coming soon. Until then, I just want to express a heartfelt THANK YOU for all your support. I truly appreciate every like, comment, share and insult. If you’ve ever read any of my books, please think about leaving a short review on Amazon or Goodreads. It would really mean a lot.

Have a great 2019.

dead-of-night-reissue


Angst or Ecstasy on Page & Spine!

I’m pleased to announce some of my micro-fiction is free to read now on Page & Spine: Fiction Showcase

Angst or Ecstasy is one of my more experimental pieces, and is all about a man’s nocturnal encounter with the succubus of legend.

Succubus: A female demon believed to have sexual intercourse with sleeping men.

I had to edit it a little, at the publication’s request, not to:  “Scare the little old ladies in the audience, some of whom are men.”

Brilliant.

You can read Angst or Ecstasy HERE

WARNING: Adult content


Coming Around (drabble)

Last year I was invited to contribute to an anthology of horror drabbles Kevin Kennedy was putting together. A drabble is a 100-word story. No more, no less. The antho was a huge success, and I thoroughly enjoyed branching out into another form of writing.

I’ve kindly been granted permission to share my contribution with you, so here it is.

Coming Around

By C.M. Saunders

He was being chased down a long, dark tunnel by a pack of dogs. He couldn’t see them, but he could hear them panting and snarling. They were gaining on him. His chest burned. Couldn’t catch his breath. Shooting pains.

Then the tunnel and the dogs began to melt away, and Duncan’s world was spinning into focus. That was a dream?

Where the fuck was he?

Then he remembered. The operation. The heart surgery. He tried to open his eyes. Couldn’t. Too soon. But he could hear noises, like someone tuning a radio. Voices.

“Too bad we couldn’t save him.”

Get it?

There was a lot to fit in, so let me explain a little. It started with hell hounds, who according to mythology, turn up to drag the evil to hell when they die. Then there was a tunnel, so often reported by people on their death beds, the heart surgery (chest pains), and finally the right hook at the end. Yep, our hero is dead. He died during the operation, hence the hell hounds and the tunnel. But I also tried to pose a question. If he’s dead, how can he still hear the doctors talking? Does that mean he’s a ghost? Or do your senses continue for a short while after your vital signs fade?

You decide.

In her review of 100 Word Horrors, Erica Robyn said of Coming Around:

Absolutely terrifying!! This one is a straight up nightmare! 5/5

Thanks, Erica!

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Review of X3 by Bloody Good Horror Books

Review of X3 by Renier Palland at Bloody Good Horror Books:

“X3” by author Christian aka C.M. Saunders is a short collection of short horror stories he had published over the years. He begins his anthology with a piece called “Introduction: The Final Curtain” where he muses over death and mortality, and how it permeates everything, including literature. It’s what Friedrich Nietzsche called the “Death Drive”. Oddly enough, this rather obtuse opening led to some rather interesting short stories. The first story, “‘Til Death Do Us Part” is zombie fiction without the zombies. It’s primal, brutal and asks us what we’d do to survive for one more second on this godforsaken planet. Saunders brought the point home with this valiant line: “They were fighting and fucking everywhere like animals”. This matter-of-fact method of writing immediately piqued my interest. I knew I was onto something good.

Throughout the good short stories – not the bad ones – Saunders weaves a tapestry of horrifically fun humour and below-the-belt madness. There’s even a short story about a troll, with a sequel to the short story about the troll! As with all short story writing, each piece has to end in a solipsistic finale, a final twist to end all twists. I liken it to twisting the knife in a piece of meat. It’s an extremely difficult, well-documented feat. There are essays written about how a short story should be structured, compiled and created. If a writer lingers on a paragraph for too long, the short story is ruined and ends up in the tried-and-failed dustbin. Aside from poetry, short story writing is the most difficult literary art form. When an author gets it right, he or she really gets it right. But a short story can also turn into a bizarre, self-indulgent and experimental freak show. My point being, Saunders’ short story anthology has a touch of Bipolar, with extreme lows (“Gwraig Annwn” and “Slots-a-Pain”) and manic, thrilling highs (“The Delectable Hearts”, “Switchblade Sunday” and “The Elementals and I”).

He is an extremely friendly guy who wrote exactly what was needed to get our attention for an immediate review. He is also an excellent writer, but I don’t agree with putting all of your eggs into one basket, i.e. Putting short stories together from over the years into one volume. He should have been much more careful with his choices. I understand what it feels like to have that specific short story you wrote, the one which didn’t get the recognition it deserved, finally published. I’m also an author and I understand that inherent need. However, as a reviewer I have to follow extremely harsh guidelines in order for my review to have any merit or credibility in the real world.

Saunders failed with some of his short stories. I wanted more. I needed more. But there was nothing except an experimental foray into death literature. The stories which did work were extremely well done, brilliant even. I can easily say that “‘Til Death Do Us Part” will stick with me (no pun intended – look out for the ending) for a very long time. It was interesting, tragically beautiful and filled with a post-apocalyptic essence akin to “The Road” by Cormac McCarthy. “The Delectable Hearts” was a curious and interesting meta-commentary on the entertainment industry. I used to be a writer and reviewer for a worldwide entertainment media group, so I understood the character’s journalistic instincts to get the scoop on a new music band. The ending, as with the former, was both unsettling and optimistic – an awkward, albeit exciting paradox. I enjoyed every second of the better short stories in the anthology, but much like a music album, an anthology has to be structured in a specific way to maximise the audience’s interest. This was not the case with “X3”. It felt haphazard and loose, as I went from a high to a low. Perhaps Saunders intended for the anthology to read like a rollercoaster? It’s possible, not wise in my opinion, but possible.

The anthology was fun to read. I think Saunders’ dark humour played a role here and he managed to save several of the shorts by using the gallows’ humour literary mechanism. Technically, some of the shorts were ravaged by editorial oversights, e.g. “twist in the tail” instead of “twist in the tale”. Malapropisms shouldn’t be left untreated as they can easily infect a literary wound. However, for the sake of this review, I am willing to overlook the technicalities because everything else was written perfectly. Saunders didn’t make many mistakes. His tempo was fluid, his narrative structure was constrained enough to allow the short stories to develop on their own, and his literary mechanisms were used correctly.

Saunders is definitely a great writer with unparalleled potential. His shorts were good enough to make me seek him out when I’m looking for my next read-of-the-day. Imperfection is sometimes more beautiful than perfection. This is true in Saunders’ case.

And the fact that he knows how to truly imbed subtle humour into his work – something most writers are completely unable to do.

RATING: 4 out of 5

X3 is available now. Check out more from Bloody Good Horror Books HERE.

X3


The Bookbub Experience

People have reported mixed experiences with the book marketing company Bookbub. There are both success stories and horror stories. For what it’s worth, I’m going to share mine.

First, a bit of background. Bookbub is a service which provides readers with free or heavily discounted books. Writers pay to have their books included in ‘Featured Deal’ email blastings which can reach hundreds of thousands of potential customers. The details vary, depending on the genre and package you select (which again varies according to your selected territories and size of discount you are offering).

Lots of other book promotion companies use a similar model, but with Bookbub being the biggest, it represents the best results. It’s also the most expensive. But most writers look at the fees as a necessary expense. You have to spend money to make money, right?|

To even qualify for a Featured Deal, your book also has to fulfill certain criteria like have a set number of reviews and a professionally-produced cover. It also has to undergo a quality check. It isn’t easy to be accepted. My book Sker House was rejected several times before finally being selected a few months ago. Upon acceptance, I chose my package, paid the exorbitant fee, and waited anxiously to see what would happen.

At first, things didn’t go to plan. It was entirely my fault. Long story short, when I dropped the price of Sker House to qualify for the Featured Deal I misjudged the currency conversion rates in the US, Canada and Australia, which resulted in the book not being the price I said it would be on the dates I said it would. Bookbub rightly pulled my promotion for not adhering to the rules. To their credit, they were great about it, and after I emailed them to explain my mistake and did a bit of begging, they reluctantly agreed to reschedule my promotion at no extra cost.

Phew.

As an indie writer with a dozen or so books out there, unless I do some kind of promotional activity, I consider myself lucky to sell a handful of books a day. I am under no illusions. I know a lot of writers sell more than me. Some sell less. You can imagine my surprise when I got up the morning my Featured Deal went out to Bookbub’s subscribers, checked my KDP account, and found Sker House had sold close to a hundred copies in just a few hours. Every time I hit ‘refresh’ it showed more sales. At its peak, I was probably selling around a book a minute. Sker House has done reasonably well since it came out. I did a successful blog tour to help it along, and it picked up some decent reviews. But nothing I’d done previously came close to this.

I logged into Author Central and checked my author ranking to find I was suddenly sitting pretty at number 71 in the ‘Most Popular Horror Writers’ category. By some strange twist of fate, I was also number 72, because Amazon evidently thought C.M. Saunders and Christian Saunders were two different people.

Screenshot_20180526-203808

The sales kept coming, and my alter-ego and I kept climbing the charts. Later that evening, a couple of hundred sales later, I peaked at numbers 37 and 38. I might have gone even higher. I like to think I took the Number one slot from some befuddled old bloke called Stephen King at some point whilst I slept.

Of course, it couldn’t last.

After the initial sales flurry subsided, Sker House continued selling in double digits for a few days afterwards. By then, it had gone back up to full price, so I received a higher royalty percentage. By my calculations, taking into account the reduced promotion price and the associated royalty percentage in each territory, I needed to shift around 800 downloads to cover my costs.

That’s a lot of books.

I didn’t really expect to sell that many, and I didn’t. At the final reckoning I got close, maxing out at just over 600, but there were other benefits. On average, my daily sales remain higher than they were before. Over the promotion period I also sold more copies of my other books than I usually do, which I didn’t factor in, and my KU ‘pages read’ went through the roof. I usually get several hundred a day, but since the promotion that has increased to several thousand and has remained consistent ever since. One day, I had over 7,000, probably my highest ever. Over a month later, and those numbers are still holding. I’m optimistic that all these sales and reads will translate into a couple of new reviews in the not too distant future. Also, my blog hits increased exponentially, more people have followed me on Twitter and my Facebook author page, and then there was the small matter of cracking Amazon’s Most Popular Horror Writer list for the first time. I feel like I’ve finally reached then next level.

So the all-important question everyone wants to know, did I make a shit load of money?

No. All things considered, I’ll probably just break even. But I certainly don’t regret doing it. Between the hundreds of sales, the extra exposure, and the thrill of it all, it was a worthy investment.

Long live Bookbub.

sker house cm saunders cover 1

 


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