Tag Archives: Asia

Apartment 14F – Collected Reviews

I recently released a new, updated and uncut version of my novella Apartment 14F: An Oriental Ghost Story. Here is a selection of reviews of the first release.

“Christian takes you by the hand and drags you deep into a world that most of us will never experience and then thrusts you headlong into a mystery we are never sure will be solved. The climax is a twisted view of love and needs unsatisfied, which leaves you wanting to keep the light on. The surrealism within this story is something I haven’t personally experienced in literature since H.P. Lovecraft and Algernon Blackwood.”

– J.F. Taylor, The Monsters Next Door

“In this short story the author tries to illustrate what most humans are afraid of. We fear death and at times we are afraid of dying alone. Saunders also points out a belief of many, that when we die there is another side whether it’s good or bad. The author also great job does in showcasing the Chinese culture and their beliefs and traditions.”

– The Horror press

“Saunders has written a frightening tale full of thrills, chills and unabashed terror ready for avid horror readers to devour. The author shows amazing depth and realism supported by interesting and well developed characters as well as a plot that will require a night light after reading. You might also want to consider checking under the bed. For anyone interested in a chilling tale Apartment 14F: An Oriental Ghost Story is the way to go.”

-Bitten By Books

“Saunders needs to be credited for doing a professional and credible job in this short novella. His portrayal of China and its culture is top-notch.”

-Blood of the Muse

“I thoroughly enjoyed  Apartment 14F. It was a much more melancholy tale than I had expected going in, considering it was a ghost story. But this is not a bad thing. You won’t find any horrific slice’n dice special effects in this graceful and intelligently told tale; instead you will experience a story dripping with atmosphere, loaded with tension and just enough foreshadowing to shock you with its surprise ending.”

-Mark Edward Hall, author of the Haunting of Sam Cabot, The Lost Village, The Blue light series and others

“I liked that Saunders brought a little more depth to the classic Asian horror story. In a lot of Asian fiction, the story gets lost in translation, so the unfamiliar Westerner doesn’t see the whole cultural picture. Saunders kept the story clear and comprehensible.”

-Swamp Dweller Book reviews

“I quite liked Saunders’ writing – there is a slightly sarcastic sense of humour throughout, as well as a sort of modernity (one exposition scene is done through Facebook. It’s kinda cool. The future is now!) and real-ness. He doesn’t bull-shit around with unnecessarily complex weirdness, rather, the writing is straight and to the point, and the story is punctuated by some cool and accurate comments.”

-Sketchy Sketch Blog of Horror

“The way C.M. Saunders has written this book is pretty spectacular. I could almost feel myself in Apartment 14F.. The story gave me goosebumps and tears in my eyes. I give this book a 5 star review. Brilliant.”

-Amazon reviewer

“I first saw this book as a recommend in a magazine. I hadn’t read a book for a while and being a horror story fanatic, I was instantly intrigued by the write up. I read the whole book over 2 days. Quite an original story line, and for once I couldn’t double guess the ending! Well done. With a twist in the tale, I would even liken the style of writing to the master James Herbert.”

-Amazon reviewer

“ANYONE WHO LOVES ASIAN HORROR, NEEDS TO READ THIS BOOK!!! EXCELLENT!!”

-Amazon reviewer

14f

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The J-Horror Movie Marathon

I have a thing for Japanese horror. It’s pretty unique, partly because ghost stories have permeated Japanese culture for millennia and been granted more respect and freedom to evolve than in most other societies. Other than that, Japan is one fucked up place. Have you ever seen Japanese porn? There’s more incest, rape, and sex with crustaceans than you can shake a stick at.

Because they so often work within limited budgets, Japanese film-makers are forced to rely on plot, atmospherics and pure acting ability to make their work shine. Things that are sadly often neglected in Hollywood these days. One recent Saturday night, with a pathetically empty social calendar and a storm raging outside, I decided a J-Horror marathon (with English subs, obvs) was in order.

 

5:55 pm

Title: One Missed Call

Year: 2003

Director: Takashi Miike

Running time: 112 mins

1

On the back of successful fore-runners like Koji Suzuki’s classic Ringu (The Ring), Pulse, and Dark Water, in 2008 One Missed Call became the latest Japanese horror movie to be remade by an American studio for an international audience. I’d watched the remake for comparison a couple of days earlier, and though the basic storyline pretty much stays true to the original, it’s more of a sugary teen flick lacking any real resonance and emotional impact. In short, the movie stinks.

The original is something else entirely.

On the surface the premise is pretty standard fare; a young student receives a voicemail on her mobile on which she can hear herself screaming. Putting two and two together, she decides the message must be from her future self warning of her imminent demise. When the message proves prophetic, it soon transpires that it’s just the latest in a long line of similar events and the girl’s friend Yumi takes it upon herself to solve the mystery. The result is a pretty intense, suspenseful, psychological experience, rather than the kind of uninspired gore fest we are so often subjected to. Typically of J-horror, there is a curse involved, some rogue technology, and hot girls in danger. We’re off to a decent start.

7:48 pm

Title: Uzumaki (Spiral)

Year: 2000

Director: Higuchinsky

Running time: 90 mins

uzumaki-film-poster2

 

No rest for the wicked, it’s straight into movie number two, which proves to be one of the weirdest, creepiest, most fucked up films I have ever seen. It was adapted from a Junji Oto manga series, so I should have expected as much. His other notable works include Tomie, about an immortal girl who is so beautiful she drives people insane, and Gyu, about killer fish with metal legs. Yep, that’s the kind of guy we are dealing with.

Uzumaki is about a town obsessed with spirals. To be ‘at one’ with uzumaki, one character commits suicide by crawling inside a washing machine. The result is not pleasant. His wife then becomes so anti-spiral that she chops off all her fingertips so as not to have anything resembling a spiral on her body. That plan falls apart when she learns that there is a spiral-esque vortex buried in the deepest part of the human ear. I won’t say anymore so as not to spoil it, but you can probably guess it doesn’t end well for her. Oh, and then all the students at the local school start turning into giant snails. What the absolute fuck? I’m glad I watched this early on in the marathon. It’s the kind of thing that can make a grown man go scurrying off crying for his mother.

9:20 pm

Title: Carved: The Slit-Mouthed Woman

Year: 2007

Director: Koji Shiraishi

Running time: 90 mins

3

After a quick pit-stop to make coffee and grab some Dorito’s, it’s straight back on it. The subtitles were out of synch on this one. I didn’t know what people were saying until about three minutes after they’d said it, which made the whole experience even more surreal. Someone would do something, then you’d find out why they were doing it later. The name alone is enough to give you shivers. The Kuchisake-Onna (slit-mouthed woman) is a bi-product of a real playground legend. Those Japanese kids, huh? A tall, skinny woman wearing a long trench coat, pointy shoes and a surgical mask covering her horribly disfigured face is said to appear and ask ‘Am I pretty?’ before carting off unruly school kids and doing unspeakable things to them with a massive pair of scissors. So far, so creepy. But things take a nasty turn when the urban legend turns out to be real, and one-by-one kids start disappearing. A pair of intrepid young teachers then set out to uncover the truth, and reveal one shocking secret after another. Harrowing and atmospheric, The Slit-Mouthed Woman (aka Carved) contains most of the elements audiences have come to expect from J-Horror. Curses, vengeful spirits, abused children, disused buildings, a haunting musical score and cold, brutal violence. It’s all here. If one film sums up post-Ringu J-Horror, it’s this. The last scene will chill you to the bone.

Am I pretty?

10:50 pm

Title: Ju-on: The Final Curse

Year: 2015

Director: Masayuki Ochiai

Running time: 90 mins

Juon4-Poster-27x39-copy2

More coffee and more Doritos.

You might not know this, but whereas the turgid American incarnation of the Grudge franchise was wisely curtailed after three instalments, the Japanese juggernaut just kept on rolling. And rolling. If you include that trio of western Grudges, this is the eleventh Ju-On (Grudge/Curse) film in the series originally created by Takashi Shimizu, and a continuation of last year’s Ju-On: The Beginning of the End, itself a reboot of the earlier films.

Phew. Now that’s all cleared up, on with the show. This latest (and allegedly last) instalment is a Paramount Pictures production, meaning it’s much more polished than you would normally expect. No shaky camera work or sub-par special effects here. Without getting too much into it, the plot evolves around Mai, who goes in search of her missing younger sister, the elementary school teacher from the last film (which is helpfully re-capped at the beginning). Let’s just say she gets more than she bargained for when Toshio, the terrifying little kid who makes those annoying cat noises, puts in an extended appearance. The plot is a bit stretched, as it would be after ten previous outings, but overall this film is pretty slick.

12:20 am

Title: Grotesque

Year: 2009

Director: Koji Shiraishi

Running time: 73 mins

grotesque-53dfd3220604f

It’s that man again. Our friend Koji of the Slit-Mouthed Woman fame. To be honest, I don’t know what he was thinking with this. This film is banned in the UK, which is usually a good sign. I’m a horror fan, and I’ve seen some pretty far out shit. I’ve developed a reasonably strong stomach, or so I thought. Not this time. This is way out of my league. It’s downright fucking nasty, and I was soon sorry I munched all those Doritos.

I’m no prude, I believe violence has it’s place. In literature, art, films and even in real life. But there has to be a reason for it. This is exploitive torture porn, plain and simple, and has no redeeming qualities whatsoever.

Two young lovers are walking down the street, minding their own business, when they are kidnapped by a mad doctor who then proceeds to do the most awful, sadistic, depraved things to them. That’s the whole storyline right there, and it’s not fun to watch. In fact, it’s extremely fucking hard to watch. Which I guess is the point. If so, mission accomplished, Shi Shiraishi. You twisted fuck. This is the only film I’ve ever not been able to finish. I don’t know if that’s a criticism or an accolade.

This article first appeared on the Deviant Dolls website.

 


What’s in a Name?

This week is Chinese New Year, or Spring Festival. Confusing because in the West it’s neither New Year or Spring. Anyway, this is the Year of the Sheep. To celebrate, here is a little glimpse inside Chinese culture.

During my time as an English teacher in China I met, and tried my level best to engage with, probably a couple of thousand students, with very mixed results. The vast majority were 18 to 22 years old and had limited English capabilities, even though most had been ‘learning’ the language since they were kids.

Not many classrooms have heating. This one didn't.

Not many classrooms have heating. This one didn’t.

To aid their education, the students are encouraged to take English names. It is supposed to help them identify with the language and more importantly, makes things slightly easier for foreign teachers. Most of the boys named themselves after basketball players or footballers they idolise. Every class had at least one or two Bryants, Lebrons, James’ and Davids, in which case I had to give them numbers after their name to differentiate between them. Bryant 1, Bryant 2, Bryant 3, etc.

There were also the customary smattering of cutsie girls names; Amy, Janet, Mary, etc. As mundane as they are, at least these names can be considered normal. However, a fair percentage had some pretty ridiculous names. Every foreign teacher will have come across this, and could probably supply their own expansive lists.

I know its childish and immature to make fun of people’s names, but these are not ‘real’ names. More often than not, they are just random English words the student likes the sound of. Some change their new, ‘names’ regularly, while others stick doggedly to the same non-name until they realise how stupid it is then get another one. Others kept forgetting their English names and didn’t respond even if you did remember it.

Welcome to the bizarre world of Chinese student’s ‘English names.

name-change-blackboard

Boys:

Aubrey, Casper, Cookie, Heaven, Blind, Black, Bing, Bet, Boss, Tail, Mars, Lemon, Wolf, Poseidon, Kite, Felix, Jonny X, Winter, Wisdom, Note

Girls:

Delete, Lenovo, Kitty, Emple, Emperor, Shiner, Five, Six, Seven, Turkey, Fairy, Darling, Momo, Panda, Canary, Funny, Flower, Volume, Crayon, Yoghurt, Soulmate, Dolly, Rainy, Sunny, Dolphin, Blossom, Nonchalant, Sin, Cipher, Bamboo, Jammy, Kamy, Lark, Oren, Oscar, Tequila, Wonderful.

The award for the most ridiculous name of all, however, goes to… Lube. The poor, confused thing. And a special mention should go to the most questionable CHINESE name I came across:

Wang Ke

Weirdly, as much as I protested, Wang Ke was one of the few that flatly refused to get an English name. Priceless.


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