Tag Archives: non-fiction

Time for Horror

Funny thing, time. And not funny ha-ha. It’s the one commodity you can’t buy, yet is by far the most valuable. And anyone who says that money can’t buy you love has obviously never been to Bangkok. It’s often said that a dying millionaire will gladly give up all his riches in exchange for just a few more minutes of life. Since I’ve never died or been a millionaire I can’t vouch for it’s veracity, but it certainly sounds plausible. The vast majority of people don’t want to die, and do anything to avoid it. That’s why you read about murder victims being stabbed 130 times or something. I’d wager the person doing the stabbing didn’t want to wield their blade that many times, either. Imagine how exhausting stabbing someone 130 times must be. I need a sit down after chopping up a chilli pepper. The stabber would probably much prefer the victim keel over and drop dead with a soft, world-weary sigh after one strike the way they do in movies, but that rarely (if ever) happens. I once saw someone get stabbed at a football match. It just pissed him off.

It grates on me when I see people complain that they’d love to write something, but just haven’t got the time. Not enough that I’d want to stab them 130 times. But close. The reason is, we all have shit going on. Day jobs, night jobs, kids, pets, hobbies, demanding relationships, drug addictions, all of which we balance with the countless other responsibilities that come with being grown up. However, the harsh truth is that we always find time for the things we really value. Things we really enjoy doing. Things we can’t live without.

We all have the same 24-hours in a day. You, me, Stephen King, Lady Ga Ga. The only difference is what we do with those hours. Most writers seem to be ‘morning people.’ I know, right? The mere thought is enough to make most people’s blood turn to ice. The aforementioned Sai King is a shining example; his routine involves getting up early, going for a walk, getting the bulk of his writing done before midday, then slacking off as the day grinds on to its inevitable conclusion.

One of my most productive times as a writer was in my early twenties when I worked full-time at a local packing factory. It was my job to put the little bar codes on boxes of pills. Hundreds of boxes a shift. Thousands. You probably know the score. Your supervisor sets you a target of 15,000. You bust your balls to hit it, and when you finally achieve as much, they simply raise the target to 15,500. this, I’m told, is management.

At its best the job was fraught with difficulty, like when the bar codes won’t go on exactly as they should, or they were blurry or something. And at its best, when everything was going well, the work was mind-numbingly boring. I was alone a lot, meaning that I had hours and hours every day to think about what I was going to write about when my shift ended. I’d run through endless scenarios in my head, putting my characters through all kinds of shit and filling in ever conceivable plot hole. It helped pass the time. When I finally got home I could easily knock out 1500 words or more in an hour or two before going to bed. No messing around. No hesitation marks. No gazing off into space waiting for the perfect word to pop into my head.

Later, when I left the factory and writing became my actual job, and I could spend all day writing if I wanted to, I just didn’t. You know what it’s like; you get wrapped up in a juicy news story or disappear down some rabbit hole or other and everything else fades into the background. Recently, I wasted almost half a day reading about Biffy Clyro b-sides and CD bonus tracks. I don’t even fucking like Biffy Clyro. Who does? They haunt that horrid middle ground between indie and rock without ever fully committing either way, trying to be all things to all people and only succeeding in being nothing much to anyone. So yeah, as my deadline looms ominously closer I procrastinate and generally do anything except write. And it’s not just me. I’ve worked with dozens of writers, and we’re all the fucking same. Well, most of us. There’s always that one guy who does everything on time, and perfectly. Don’t we all hate that dude? The rest of us just watch the clock tick down until, when we can put it off no longer, we start writing. At least that’s my modus operandi. And guess what? I never miss a deadline.

The point I’m trying to make is you can achieve anything you want if you put your mind to it. You just have to put your mind to it. I don’t want to look back at a life of wasted time and missed opportunities, being all bitter and resentful. If only I’d done that, or this, if only I’d found the time. Don’t wait until it’s too late, and don’t you dare point fingers and blame other people for your own shortcomings. Take control of your life, take responsibility, and most importantly, figure out what’s important to you and then spend as much time as is humanly possible doing it. If your thing is horror, immersive yourself in it. Read books, watch movies, explore abandoned mental hospitals, sit in graveyards at midnight. Hell, tie yourself to a chair and force yourself to watch the Star Wars Christmas special from 1978 on repeat if you have to. Trust me, it’s probably the most horrible thing you will ever experience. Savour the dread and soak in the blood.

It doesn’t even need to be good horror. If you’re a writer, for example, you can learn just as much from reading a terrible book as you can from reading a classic. You just learn from the other end. You learn what NOT to do. What’s deemed ‘Good’ and ‘bad’ is subjective, anyway. Have you seen Death Ship from 1980? About the tourists whose cruise ship sinks and are then picked up by a WWII-era German prison ship controlled by a mysterious dark force? No? I’m not surprised. Not many people have. TV Guide called the movie “ludicrous” and gave it a one-star rating. Me, I loved it. Fuck the TV Guide. What’s not to love? Shipwrecks, Nazi zombies, Richard Crenna from the Rambo films. And if all that wasn’t enough, look at that poster!

I advise you to seek it out immediately while you still can, before a rogue terrorist cell nukes the internet or something and you won’t be able to stream it or order it from Amazon. All this calls to mind a depressing yet entirely accurate line from Iron Maiden’s classic tune The Clairvoyant, “Isn’t it strange that as soon as you’re born you’re dying?”

Like I said, it’s a funny thing, time. And not funny ha-ha. We should make the most of it because as someone much smarter than me said, ‘time we enjoy is not time wasted.’ Or something. And if you’re reading this I am 100% sure you’d enjoy Death Ship. By the way, you can read about more hidden cinematic gems, both old and new, in my RetView series.

This piece was first published in the Terror Tract ezine.


The Bookshelf 2020

As is customary, below is a complete list of all the books I read, from cover to cover (or from 0 to 100%, as is increasingly the case) in 2020. This list is a bit longer than other recent reading lists, we can blame being in self-isolation half the year for that. I won’t bother counting the books I gave up on. There’s been a few. I’m disappointed with myself for not finishing Infinite Jest, though proud of the fact that I made it to about 30%. From what I gather, it’s one of those books you either love or hate. I fell into the latter camp. Too wordy, dense, and pretentious. I deserve some credit for persevering as long as I did with it.

To compensate, this list also a couple of shorter books. The Craft Beer Textbook is only 38 pages long. But it’s still a book, and I still read it so it counts. I finally got around to reading the second Secret Footballer book, which I remember buying at Heathrow airport a few years ago. It was great until he started talking about literature and quantum mechanics in an obvious attempt to show us he’s more than just a footballer. I made a conscious effort to branch out a bit and sample some work by authors I haven’t read before, and generally speaking I made some good choices. Pick of the bunch was probably Nick Cutter’s The Troop which, fittingly, is about a rogue virus. Kind of. I don’t know why it took me so long to read it, but it’s epic. Stephen King, Amy Cross and Jason Arnopp were as reliable as ever, and Adam Nevill’s mini-anthology Before You Wake is well worth a look.

The Horror Collection: White Edition by Various Authors (2019)

Resurrection: A Zombie Novel (Book One) by Michael J. Totten (2014)

Ghoster by Jason Arnopp (2019)

Can I Say: Living Large, Cheating death, and Drums, Drums, Drums, by Travis Barker (2015)

Bloody London: A Shocking Guide to London’s Gruesome Past and Present by Declan McHugh (2012)

After: Undead Wars by Various Authors (2018)

The Institute by Stephen King (2019)

I Was Jack the Ripper by Michael Bray (2017)

Wales of the Unexpected by Richard Holland (2005)

Sex, Marry, Kill by Todd Travis (2014)

Mountain of the Dead: The Dyatlov Pass incident by Keith McCloskey (2013)

Test Patterns: Creature Features by Various Authors (2018)

Billy Joel: The Definitive Biography by Fred Schruers (2014 ed)

Logging off by Nick Spalding (2020)

The Craft Beer Textbook by Jonny Garrett (2020)

Sunbather by Frank Floyd (2020)

The Lighthouse by Keith McCloskey (2014)

If It Bleeds by Stephen King (2020)

Ten Chimes to Midnight: A Collection of Ghost stories by Amy Cross (2019)

Haunted World War II by Matthew L. Swayne (2018)

Stranger Than Fiction by Chuck Palahniuk (2004)

The Troop by Nick Cutter (2014)

Vampires, Zombies and Ghosts: Volume 2 by Various Authors (2019)

American Hoarder by Jason Arnopp (2016)

If Flies Could Fart by Justin Boote (2020)

Tales from the Secret Footballer by The secret Footballer (2014)

Walkers by Graham Masterton (1991)

The Haunting of the Lost Traveller Tavern by Cat Knight (2019)

Brewtality by Various Authors (2020)

Before You Wake: Three Horrors by Adam Nevill (2017)

The Ghost of Old Coal House by Amy Cross (2020)

My Christmas Story by Rayne Havok (2016)

You can read my 2019 reading list here.


The Bookshelf 2018

Below is the now-customary list of every book I managed to read cover-to-cover in 2018. I know I am cheating a little by including a couple of novellas, and even the odd short story. My rule is, if they stand-alone, they are eligible. Besides, to even things up I also devoured a couple of absolute monsters. Reviews are linked.

And this isn’t my actual bookcase. I stole this image from Pinterest. But it’s still cool, right?

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Extreme Survivors: 60 Epic Stories of Extreme Survival forward by Bear Grylls (2012)

100 Word Horrors by Various Authors (2018)

Craven Manor by Darcy Coates (2017)

Just a Bit of Banter, Like by Chris Westlake (2017)

Wales and its Boxers: The Fighting Tradition by Peter Stead & Gareth Williams (2008)

The Ritual by Adam Neville (2011)

Last Man Off: A True Story of Disaster, Survival, and One Man’s Ultimate Test by Matt Lewis (2014)

Friend from the Internet by Amy Cross (2018)

Craigslist Horror by Max Hess (2017)

The World’s Most Haunted Places by Jeff Balanger (2004)

Call Drop by John. F. Leonard (2017)

Bird Box by Josh Malerman (2014)

Eat the Rich by Renee Miller (2018)

The Outsider by Stephen King (2018)

The Chase by J.L. Rose (2018)

Lost Highways by Various Authors (2018)

Fearful Fathoms (Volume 1) by Various Authors (2017)

Black Shadows Under a Blood Moon by Roma Gray (short story) (2018)

Haunted Cardiff and the Valleys by the South Wales Paranormal Research Group (2007)

Spree Killers: The World’s Most Notorious Gunmen and their Deadly Rampages by Al Cimino (2010)

Everyone Loves You When You Are Dead (And Other Things I learned from famous People) by Neil Strauss (2011)

Tales from the Murenger by Michael Keaton (2017)

Classic Rock Unseen by Various Authors (2013)

Quad by Toneye Eyenot (2018)

Tales from the Lake 5 by Various Authors (2018)

Readers’s Digest: Great Mysteries of the Past by Various Authors (1991)

Please see HERE for last year’s expansive list!


The Bookshelf 2016

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Every year I keep a list of all the books I read, and post it here. Yep, that’s how anal I am about books. If you’re interested, you can find last year’s riveting instalment HERE. The weird thing is, these posts are usually among my most popular, which suggests that either my other posts are even more boring or perhaps I’m not the only one obsessed with books and lists.

As you can see, I tend to lean toward contemporary horror fiction, for obvious reasons, but I try to read widely. Promise. I love a good autobiography, the odd debauched rock tale, and the occasional peak into history. The only rule is I have to actually finish the book in order for it to qualify. So without further a-do, here is a complete list of the books I read in 2016.

The Mannequin by Darcy Coates (2014)

Welsh Murders Volume I (1770 – 1918) by Peter Fuller & Brian Knapp (1986)

Bazar of Bad Dreams by Stephen King (2015)

The Haunting of Blackwood house by Darcy Coates (2015)

Community by Graham Masterton (2012)

Death’s Sweet Echo by Maynard Sims (2015)

The Wind-up Toy by David Owain Hughes (2016)

Alfred Hitchcock & The Three Investigators: The Secret of Terror Castle by Robert Arthur, Jnr (1964)

Nails by Fiona Dodwell (2015)

Tales From the Lake 2 by various authors (2016)

The Supernatural Murders: Classic True Crime Stories, edited by Jonathan Goodman (1992)

Dead Harvest: A Collection of Dark Tales Vol I by Various (2013)

War Letters 1914-18, Vol I by Mark Tanner (2014)

Mind Fuck by Renee Miller (2016)

Rayhven House by Frank E. Bittinger (2016)

The Mothman Prophecies by John Keel (1975)

Pictures of You by T.J Alexian (2014)

Last Words by Jackson Lear (2016)

The Hidden by Fiona Dodwell (2016)

Auto-Rewind by Jason Arnopp (2015)

Bruce by Peter Ames Carlin (2012)

I Can Taste the Blood by Various Authors (2016)

The Scariest Reddit Stories by Hannah J Tidy (2016)

Mistrel Bed and Breakfast by Darcy Coates (2016)

The Films of Danny Dyer by Jonathan Sothcott & James Mullinger (2013)

Revival by Stephen King (2014)

Surviving the Evacuation, Book 1: London by Frank Tayell (2013)

The Christmas Spirit by Brian James Freeman (2016)


The Bookshelf 2014

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This is a list of all the books I read, from cover to cover, in 2014. Sometimes it takes me a long time to read a book, other times it takes just a couple of days. It depends on the book.

I’ve only included the ones I actually finished. There are several dozen stuck at various percentages on my Kindle, which I may or may not get around to finishing at some point, and my TBR list grows every day. There are so many books in the world, but so little time.

Anyway, I’ve made a start.

Dead Man’s Land by Robert Ryan (2012)
Let’s Drink to the Dead by Simon Bestwick (2012)
Gone Girl by Gillian Flynn (2012)
Synchronicity – One Man’s Journey by Aaron Garrison (2013)
Wolverton Station by Joe Hill (2013)
Crooked House by Joe McKinney (2013)
In the Bones by Renee Miller (2013)
Banshee’s Cry by Mark Parker (2014)
Deranged: The Shocking True Story of America’s Most Fiendish Killer by Harold Schechter (1998)
The Doll by JC Martin (2011)
Chicken Feathers and Garlic Skin: Diary of a Chinese Garment Factory Girl on Saipan by Chun Yu Wang (2011)
People Person by Trent Zelazny (2013)
Urban Krav Maga Personal Safety Guide by Stewart McGill (2012)
Chicago History – The Stranger Side by Raymond Johnson (2014)
A Long Way Down by Nick Hornby (2005)
Just Beyond the Desert: Three Short Stories From the Edge by Spencer Loeb (2014)
Wilderness by Dean Koontz (2013)
Barbed Wire Kisses – The Jesus and Mary Chain Story by Zoe Howe (2014)
Found Money by Trent Zelazny (2005)
Running With the Firm – My Double Life as an Undercover Hooligan by James Bannon (2013)
Red Menace by Jenny Ashford (2014)
The Incredible Adventures of the Unstoppable Keeper by Lutz Pfannenstiel (2014)


Modern Publishing

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I’ve kicked around the publishing game for a while. In the past decade I’ve had two books published by traditional publishers, and four by digital publishers. On the flip side, I’ve collected more rejections than I can count. I’ve experienced the high’s and the low’s, and now I’m going to share with you some of what I’ve learned…

First of all, the phrase ‘traditional publisher’ is a misnomer. There is nothing traditional about publishing in the current climate. Now the term implies a publishing house which is a bit long in the tooth, maybe a little bit resistant to change. Traditional. Like antique furniture. They publish paperbacks, maybe even hardbacks, but have a very basic website and minimal internet visibility. They probably advertise in the classified section of the local paper, if they still advertise at all.

On the other hand, digital publishers specialize in, surprise, surprise, digital e-books for computers and reading devices. Even phones. Some digital publishers do distribute actual, physical copies of books. These tend to be Print on Demand (POD) and are so expensive, hardly anyone buys them.

The tricky part is the huge grey area between trad and digi publishers. This is filled in part by vanity publishers. They are a different proposition entirely, and one to be avoided. If anyone tries charging the writer money for any ‘service’ at any stage of the publishing process, they can safely be considered a vanity publisher of some description. Under no circumstances should the writer pay the publisher. It should be the other way around. They might tell you they like your book, that it will sell by the truck load, that you should pay them X amount of money to produce X amount of copies, and pay them RIGHT NOW to take advantage of this special limited offer they have going on. After you have paid for the cover design and editing, of course. If you are foolish enough to go through the process and pay the fees, you will end up with a room full of books you then have to sell on your own just to recoup some of your outgoings, which is virtually impossible.

Digital publishing houses (I use that term very loosely) hand out contracts like confetti at a wedding. Some even publish via Smashwords or KDP, something the writer can easily do themselves. Most ‘name’ authors are contracted to one of the larger publishing houses, who are very selective about who they take on. They are generally unwilling to take a punt on a ‘new’ author purely due to the costs involved, and because they have so few books to promote, they can afford the necessary investment and the books sell. Some sell very well.

But it seems the lower down the chain you go, the less selective the publisher becomes. The result is that smaller publishers often have dozens or hundreds of authors tied to contracts with dozens or hundreds of books to promote simultaneously. It’s the scattergun approach. Instead of having a hundred authors each selling a thousand copies of their book, they have a thousand authors each selling a hundred. Of course, with so many authors and books to promote, and with less staff and a smaller marketing budget, the publisher can’t actually do much actual promotion. If any. That is left to you, the writer. Right across the board, publishers now seem to be doing less and less marketing. Instead, they lean on the authors to generate sales. This strikes me as lazy, exploitative, and a bit tyrannical. In theory, the system works; get loads of people to write books then sell them on your behalf, handing you a hefty slice of the profit.

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But in practice, it just doesn’t add up, and here’s why – most of their ‘clients’ are new authors who have no existing platform, and very little experience of marketing. That’s where it all breaks down. Being semi-pro at best, the vast majority juggle real-world jobs and responsibilities and have very little time to do any book promotion, or even learn how to do it. Nobody ever sits you down and tells you what to do. You are expected to just know how to market yourself. Even if you DO know what to do, securing reviews, doing interviews, blog tours, book signings, giveaways, competitions and the like, even utilizing social media, all takes time. Time that most writers would rather spend writing.

Now, if they are doing all the promo and marketing themselves, any author worth his salt has to ask what the publisher actually does to justify the percentage they demand from the writer’s sales (usually 40-50%). In most cases, they pay an in-house designer $30 to knock up a cover, do a rough edit of your book, then bung it on the internet and hope for the best. When the money doesn’t start rolling in, they send out abrupt emails to their writers asking what promotion they are doing. Which, of course, is code for, ‘I’m not making enough money from you. Make me more money!’

I had such an email from a publisher recently, and after explaining in detail what book promo I was doing/had done, I felt compelled to sign off the email with, “Now tell me, what promo YOU are doing?”

Of course, the publisher didn’t reply.

At times it feels like I’m doing all the work, and giving away a large proportion of my (very minimal) profit in exchange for little or no service. Not any more. I’ve had enough. I’m going solo. It’s the indie life for me. For fiction, anyway. Non-fiction is a little bit different. That way I can write what I want without editorial interference, set my own prices, and keep track of where the money goes. Who even needs publishers these days?

Get ready for X.

@CMSaunders01

The original version of this post first appeared on:

http://www.deadpixelpublications.com/

Copyright remains with the author.


The Bookshelf 2013

Brian Moreland BookShelf 01

A list of all the books I read last year. Not the ones I dipped in to then abandoned. If I made a list of those it would run to the hundreds. This is a list of the books I actually finished. Try not to be too judgemental, we all have our guilty pleasures!

Shadows by Sean A. Lusher (2013)
314 by A.R. Wise (2012)
Poisonous by Tommy B. Smith (2012)
John Dies at the End by David Wong (2011)
The Mammoth Book of Unexplained Phenomena by Roy Bainton (2013)
American Sniper by Chris Kyle (2012)
Waiting to be Heard by Amanda Knox (2013)
11/22/63 by Stephen King (2012)
Black Rain by Joshua Caine (2013)
Telling Tales of Terror edited by Kim Richards (2012)
Joyland by Stephen King (2013)
Guinness Book of Records 2014 (2013)
Debunking Ancient Aliens Debunked by Philip Coppens (2013)
The Cocaine Diaries by Paul Keany and Jeff Farrell (2013)
Desolate 2: Exposure by Robert Brumm (2012)
Sun Bleached Winter by D Robert Grixti (2013)
Rocking the Wall. Bruce Springsteen: the Berlin Concert That Changed the World by Erik Kerschbaum (2013)
The Lake by Richard Laymon (2004)
Haunted Wales: A Survey of Welsh Ghostlore by richard Holland (2008)
Splatterlands: Reawakening the Splatterpunk Revolution by various authors
The Bartender Always Dies Last by Joshua Caine (2013)
True Grit by Bear Grylls (2013)
Black Smokers by CJ Waller (2013)
Remember Senghenydd: The Colliery Disaster of 1913 by Jen Llewellyn (2013)


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