Tag Archives: publishing

2022 in Review

After such a productive 2021, the pressure was on to replicate the effort in 2022. Realistically, that was never going to happen, especially after I started a new day job and took on a couple of large and very time-consuming freelance editing projects in the first quarter, but I had to give it a shot.

First on the agenda was to finish the second draft of Cuts, book two in my rapidly evolving series involving a character called Ben Shivers, a paranormal investigator who lives in a camper van with a cat called Mr. Trimble. In my experience, the second draft of a novel is almost as time-consuming as the first. The first draft is all about getting the words down anyway anyhow, while the second is more about choosing the right ones and putting them in the right order. There are always things you wish you’d said but didn’t, and other things you said but wished you hadn’t. All this suddenly becomes clear after you type THE END. On top of that, you have to further develop the characters and sub-plots and sharpen the story to a point. With the difficult second draft out of the way, it’s all about refining and polishing.

As I worked on the second book, I started submitting the first, The Wretched Bones, to some selected publishers. I pitched it as part of a series, and one of the first I sent it to, a publisher I highly respect, liked it enough to give me a contract. I’m resisting giving out too many details yet because anything might still happen, but all being well The Wretched Bones: A Ben Shivers Mystery, will be out later this year.

This bit of encouragement brought the writing bug back, and in double quick time I thrashed out a horror Western novella featuring the same character I introduced last year in a to date unpublished novella called Silent Mine. This time, in a story provisionally entitled Meeting at Blood Lake, our intrepid drunken gunslinging hero, who’s name has now morphed into Dylan Decker, helps a remote village ward off a terrifying thunderbird/mothman-like creature.

I wrote half a dozen or so new short stories, too. I am very happy with them. I think some of them are among the best things I have ever produced. The thing is, they are also possibly among the weirdest things I have ever produced, so we’ll see if anyone is brave enough to publish any of them.

As far as publishing short stories goes, the year started with a reprint of an old story called Night Visitor in Siren’s Call. All Tomorrow’s Parties was included in SFS Stories, The Hiraeth Chair in Shelter of Daylight, Eeva in the anthology Trigger Warning: Speaking Ill, and The Whole of the Moon in Daikaijuzine. I love writing drabbles (stories exactly 100 words long) and contributed Cat’s Eyes to Heartless: Holiday Horrors and The Hungry to Drabbledark II. My fifth collection of short fiction, imaginatively entitled X5 also dropped, and picked up more pre-orders than any of the other X books. I call that progress.

In the realm of non-fiction, a couple of my reviews appeared in Phantasmagoria magazine, which was one to chalk off the bucket list as it has a great reputation in horror circles, I turned a bit introspective and wrote about how haunted my childhood home was in the anthology Out of Time and reflected on how my first book was published in Author’s Publish. I also wrote a piece for them about recurring dark fiction markets, which may be of use to other writers out there, and in Writer’s Weekly, one of my semi-regular outlets, I asked whether a frenemy of yours might be sabotaging your writing career. It’s more common than you think. Jealousy is such an ugly emotion.

Back from the Dead, which was released last year, picked up a nice review on Ginger Nuts of Horror and I did a five-part series of posts about the Greatest Eighties Horror Movies EVER, taken mainly from my ongoing RetView series of classic horror movies, and an interview for Meghan’s superb Haunted House of Books blog.

By the way, more recent entries in the Retview series, published right here on this blog on 13th of every month, include Death Line (1972), Re-Animator (1985) Little Devils: The Birth (1993), and the wacky and wonderful Zombie Ass: Toilet of the Dead (2011). If classic horror movies are your thing, or you just like making me smile, subscribe.

I think that about covers it. As always, thank you for all your continued support and encouragement. And to the haters, you keep me going. I just love proving you wrong.

I wish you all a happy and prosperous 2023 and remember, the harder you work, the luckier you get.

Thank you, Pete Waterman.


The Stigma of Self-Promotion

Self-promotion is a huge part of being a writer in the technological age. It’s even more important if you’re self-published, because then you’re completely alone. If you don’t sell books, nobody else is going to do it on your behalf. But even if you have work traditionally published, you can’t expect the publisher to shoulder all the expense and responsibility of shifting books in a crowded market place. Especially small-to-medium sized publishers with limited resources.

I’ve noticed that when they sell the rights to a book, a novella, or even a short story, some writers just move on instead of doing a bit of promo to help the publisher shift copies. Don’t do that. Every bit of attention you can generate helps, while simultaneously raising your own profile and giving you something to shout about. So tweet the link a few times, write a promo post for your blog, share it in a few Facebook groups, mention it on your Insta timeline, in short, tell all your friends. You might even choose to invest in some paid promotion, which I investigated in depth before.

A lot of writers maintain blogs, and a lot of writers struggle for things to blog about. Writing a promo post about an anthology or other market that has accepted one of your stories is an easy win. You can even use the cover art to illustrate it. Throw in a few comments about where the idea for your story came from and some buying links and you have the makings of a decent, informative, entertaining post to keep things ticking over. Just try to be creative with it. Inform or entertain, rather than just telling everyone you have a new book out. Make a few jokes at your own expense, or share a few extracts or obscure facts you maybe unearthed while researching the book or story.

If you’re worried about being seen as needy, don’t be. You’re a writer, and you’ve achieved something. Be proud. If nobody else ever gets to hear about your achievement, what was the point?

If this really is a deal breaker for you, try shifting the focus onto other writers instead.

So happy to be rubbing shoulders with Stephen King, Joe Hill, and Dean Koontz in this brand new anthology from This Massive Publisher!

As if that would ever happen. It would make that antho the literary equivalent of Woodstock. But trust me, any other writers you credit, not to mention the publisher, will love you for it. Even the stellar names. It’s a great way to kick-start some cross-promotion, where other writers in your genre chip in give you some mentions, or at least the book you both contributed to. There’s no better way to take advantage of overlapping readerships. Over and above all that, if the publisher sees you are willing to make an effort on the promotional front they just might look at any future submissions of yours slightly more favourably. It’s all about networking and forging mutually beneficial relationships, so don’t neglect your responsibilities and leave all the hard work to other people.


Eyeless on Scare Street

A couple of months ago one of my short stories, Roach, about a cockroach farm in China (it’s a thing), appeared in the anthology Night Terrors 12 via Scare Street Publishing. I’m pleased to announce that as Scare Street continue their all-out assault on the world of horror fiction, this month sees the release of Night Terrors 14, which includes my creepfest Eyeless.

Eyeless is a gruesome little tale about an elderly gent who is moved into a care home where the residents receive visits from a mysterious supernatural entity after lights out. My intention with this was not just to write a straight-forward horror story, but also a dressed-up disquisition on life and the slow-death ageing process that we all have to endure, if we’re lucky.

Also in this volume you will find a realtor desperately tries to sell a haunted house before it consumes her body and soul, a young couple’s vacation at a campground takes an ominous turn when something menacing lurks nearby, and a haunting melody leads a curious girl to a bittersweet tale of love and loss. Because when night falls, a dance of death begins. And once the music ends, the only sounds you hear are your own screams of terror.

As always, Scare Street have assembled a killer cast of authors, including my old buddy and peerless sick, twisted bitch (she likes it when I call her that), Renee Miller, the full table of contents reading something like this:


1. Marshmallow Murderer by Melissa Gibbo
2. Organ Manipulator by Justin Boote
3. Camping with the Carnival by Jason E. Maddux
4. Serenade by Craig Crawford
5. Sold by Renee Miller
6. Gram’s Garden by J. L. Royce
7. The Gift that Keeps on Giving by Peter Kelly
8. The Womb by Edwin Callihan
9. Eyeless by C. M. Saunders
10. Dark Home by Simon Lee-Price
11. The Wooden Box by P. D. Williams
12. The Limb Farmer by Caleb Stephens
13. Ouroboros by Melissa Burkley
14. Crow’s Books by Ron Ripley

Night Terrors 14 is out now on paperback and ebook.


Tethered: A History

Tethered, my novella about internet rituals, is finally out on Terror Tract Publishing LLC. Yay!

Here’s a helpful blurb.

Craig, a journalism graduate trying desperately to get a foothold in a fading industry, is going nowhere fast. While searching for a project to occupy himself, he stumbles across a blog written by a girl called Kami about internet rituals – challenges undertaken by those seeking to make contact with ghosts or other supernatural entities.

Craig becomes obsessed, and when Kami suddenly disappears he goes in search of her. From there he is powerless to prevent his life spiralling out of control as he is drawn deeper and deeper into a dark, dangerous world where nothing is quite what it seems. A world populated not just by urban myths and hearsay, but by real-life killers.

He thinks he is in control, but nothing can be further from the truth.

And a look at the awesome cover by Becky Narron

Tethered

Tethered ended up taking on a bit of a weird structure, and is quite experimental in parts. It starts with a conversation between two flatmates, and the first half alternates between conventional storytelling and a mixture of mocked-up blog entries and news articles, while the second half returns to a more tried-and-tested format. I couldn’t help but get bogged down in the details, and the whole process took a lot longer than I wanted. The first draft resembled a pile of puzzle parts that I somehow had to piece together. I think they came together pretty well in the end. But I’m biased, obviously.

The title has a loaded meaning. In the traditional sense, ‘tethered’ means being being fixed or attached to something else (like reality), but a more modern usage it can be applied to using your smartphone to connect to the internet. Or something. This dual meaning made it the perfect choice, not just the respective definitions (both of which are relevant to the plot) but also because the title itself functions on multiple levels, which I hope the book also does.

After getting burned a few times over the years by rogue publishers, I’ve self-published my last few books, not just my X series which basically consists of fiction I’ve had published elsewhere, but longer original works, too, like Human Waste, Sker House and Dead of Night. There are many reasons why I do this, rather than go the traditional route. The process is much faster and I get to retain control over every aspect of the process from setting the price to the content and cover art.

The thing is, self-published authors get very little respect in the industry because there’s this attitude that anyone can do it, and you HAD to self-publish because your book wasn’t good enough to get published traditionally. There might even be some truth in that assumption, given the questionable quality of some self-published work out there. But without sounding too smug about it, I don’t think it strictly applies to me because my first half a dozen books were traditionally published. However, after a while out of the trad game, something approaching self-doubt crept in and I began to miss the competition.

Am I really good enough?

Is this book really good enough?

With the help of Terror Tract, I hope to answer some of those questions, and ask a few more.

Tethered is out now on paperback and ebook through Terror Tract Publishing LLC.


What’s in the Dead of Night?

Last year, after the rights to Apartment 14F, one of my earlier novellas, reverted back to me, I was finally able to polish it up and put out the version I wanted to. Now, I am giving the other book published by Damnation Books the same treatment.

I haven’t read this story for years. I don’t tend to go back and read stories once they’ve been published. It’s partly because I see writing as a continuous process. I’m a better writer now than I was eight years ago when Dead of Night first came out, and I’m probably a better writer than I was last week. But I have to say, this wasn’t as bad as I thought it would be.

From the double-meaning title to the cheesy one-liners and OTT violence, Dead of Night probably represents my first shambling steps into splatterpunk territory. It’s one of the first things I wrote that had a female protagonist. And no, it’s not because I’m sexist. I just didn’t think I would be able to write a strong female character convincingly. It took me a long time to realize that well, men and women aren’t very different after all. For this story, I thought I’d turn the usual set of circumstances on their head and have the gal saving the guy for a change. During the course of the story I grew very fond of Maggie.

I found the story flowed quite well, there weren’t many grammatical errors, and I was happy with the overall pacing. The only thing that lets it down is the fact that in some parts, it’s pretty dated. It’s been almost a decade since I wrote it. At the beginning, I had Maggie and Nick Arguing over what CDs to play in the car. Do cars even have CD players anymore? I suppose some still do. But for how much longer?

Dead of Night is packed full of pop culture references. Music, films, books. In the first version the dead celebrity Nick and Maggie discussed in the beginning was Michael Jackson. Since then Prince died, so for the reboot, Prince gets the nod. I always preferred his music anyway. There was a period in the second half of the eighties when he was untouchable. MJ does still get a name check, though, and I gave Meatloaf a nod by nicking one of the lines from ‘Paradise by the Dashboard Light’ (I’ll probably get sued for that). I even slipped in the phrase ‘motley crew.’ Proud of that one.

If you’re a connoisseur, you might catch some of the movie references, too. The ‘Romero’s zombies’ one is easy to get, and the whole Nick losing a hand thing is a thinly-veiled homage to Evil Dead. Butch Cassidy and the Sundance Kid also makes an unlikely appearance.

In a lot of my stories I drop the names of Cardiff City FC players, past and present. It’s kind of an in-joke nobody fucking notices except me. Steve McPhail and Jay Bothroyd are definitely from the past. I was going to update them, but then I decided it wouldn’t make much difference. McPhail and Bothroyd are still great players and deserve their place in history.

Reading it back now all these years later, though I might not have been aware of it at the time, Dead of Night is clearly a tribute to the King of splatterpunk, Richard Laymon. I even use the word ‘rump. ’ If you aren’t familiar with his work, the joke is that he used ‘rump’ A LOT. At every opportunity. A couple of times a page. It was one of his trademarks.

Perhaps the hardest adjustment I had to make when I knocked out the original version was that I had to write it in ‘American.’ I rarely do that. The vast majority of my stories are set in places I have lived – Wales, England or China. However, because the story is about American Civil War zombies, this one had to be set in America. There was no way around it. I have visited a few cities in America, but never the Deep South where the story is set. Some artistic license was used there.

I found a couple of continuity errors, even after two rounds of editing by the publisher. That sucked. I had my happy couple hiking several hours to their camp site, then ‘nipping back’ to their car to grab hoodies when it got cold. That was improbable. Perhaps even more improbable than the other stuff going on. Oh, and I know guns probably wouldn’t still work after being in the ground for 150 years or so but fuck it, I wanted them to work so they did. It’s my story.

Finally, I added about 2000 words, took out the chapters, and inserted more line breaks. I originally wanted to tell the story through two POVs simultaneously, flashing back and forth from one to the other. But of course, that’s extremely difficult to do without head-hopping all over the place, so line breaks it is.

Check out the all-new cover art by Greg Chapman:

dead-of-night-reissue

All things considered, I’m pretty happy with this reissue. The book has been out of print for a couple of years now, apart from a few ropy second-hand paperbacks floating about on Amazon. It’s an important part of my back catalogue, and I’m glad it’s finally available again.

Dead of Night (Revised edition)  is available now on paperback and ebook.


Free Read – Monkey Man

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“And they all lived happily ever after.”

Toby’s mother closed the story book and gazed down at her petrified son with a look filled with such compassion only a mother could give it. She knew he was scared. She could feel it. Since the moment he came home from school the fear had been slowly building up inside him, and as the afternoon marched relentlessly on towards night he became a dishevelled shell of a boy.

Toby wouldn’t tell her what the problem was. Throughout the evening she had gently poked and prodded at his defences trying to make him open up, but he remained tight-lipped. He was stubborn, just like his dad.

She leaned in closer to her son and planted a delicate kiss on his forehead. “Okay?” she asked. The boy nodded emphatically. He was tying to hide his fear, probably for her sake. But she knew he was quaking in his boots, she could almost smell the fear coming off him in cloying waves. It was in his voice, his eyes, the atmosphere. The fear was like a dense black cloud that threatened to engulf everything.

As a last resort, she decided on the direct approach. “Toby, tell me what’s wrong, love.” The boy remained silent, but the expression on his face spoke a thousand words.

“Monsters?” she asked, tentatively. “Is it the dark? Bogeymen? Did someone at school say something? What is it?” She fought to keep her voice from rising. Not in anger, but pure frustration. “Do you wanna sleep with the light on? Would that help any? For God’s sake, just tell me what you’re so scared of!”

No answer.

She was getting ready to give up when Toby spoke, quietly and deliberately, as if worried about who or what may be listening. “I’m not scared of the Bogeyman. I’m not a kid, I know its not real. I’m scared of the Monkey Man, because he’s real.”

Toby’s mother was momentarily stunned into silence. What a bizarre thing for a six-year old to say! In all her years, she had never even heard of anything called the Monkey Man but decided that it must be some variation on the Bogeyman theme. Adopting her softest, most understanding tone, she met his eyes and tried to look sincere. “Toby, listen,” she began. “Nothing and nobody is going to hurt you, okay? I promise. Not the Bogeyman, the Monkey Man, or any other kind of man. Do you trust me? Do you trust mummy?”

Toby nodded again, as if he had known all along such creatures didn’t exist, but didn’t look entirely convinced. There was more than a shred of doubt lingering in his mind, and that shred of doubt was causing all the problems. But what more could she do? With a sigh she stood and went to the door, then turned to look back at her son. She didn’t want to leave him alone like this but it was getting late, and surely this was the best way? She remembered reading an article in the Mail on Sunday. He would confront his fears, win the battle, and be all the better for it.

“Remember, Toby,” she said. “Monster’s aren’t real. I promise. They only exist on television and in your mind. So don’t you be afraid, okay?”

“Okay, mum,” Toby’s voice was small and weak.

“Okay, then. I’ll leave the landing light on until you drop off. If you want me, just call out.”

“Okay, mum.”

“Goodnight then, love.”

“G’night, mum.”

Alone in the semi-darkness, Toby lay still, listening. The old terraced house creaked and groaned around him and the muffled voices of his parents drifted up the stairs, but he was oblivious to them. His ears were cocked, his heart thudded in his chest, and every nerve was wound tighter than a spring. The first sign of the Monkey Man, and he was going to run for it.

There was such a thing as a Monkey Man, too. Adam Yates had told him at school. And Adam Yates had a cousin who had actually SEEN it with his own eyes. He said when it was dark, the Monkey Man climbed up the drainpipe of little boy’s houses, quietly opened their bedroom window, crept in and carried the boy off as he slept. Adam said after that, he did unspeakable things to them and they were never seen again. Toby wasn’t exactly sure what unspeakable meant, but it didn’t sound good. He secretly suspected that know-it-all Adam Yates didn’t know what the Monkey Man did to little boys either, and tried to disguise the fact by using words nobody else could understand. It was probably a made-up word, anyway. Suddenly there was a noise outside the window. A faint scrape.

He was coming! The Monkey Man!

Instead of running for it as planned, Toby buried his head beneath the bedsheets. In his mind’s eyes he saw the exterior of the house. A shapeless black mass, barely visible amidst the crawling shadows, clung to the drainpipe just below the upstairs windowsill. For the first time Toby noticed that his parents had kindly fitted his bedroom with rather a large window, easily big enough for the sly Monkey Man to squeeze through.

Mum had left the landing light on! How stupid! She was advertising him like a fresh lamb chop in a butcher’s window. Even worse then that, the beast outside was provided with enough light to enable it to open the window. Did she want him to get taken away and have unspeakable things done on him or what? But why would she want that? He had been good. Well, in the main. He had only been eight for two weeks and already he hated it. There was so much about the world he didn’t know. It was so BIG. And weird! Any thing could happen.

He wanted to get out of bed, run across the landing and turn off the light. Maybe then the Monkey Man would move along down the street in search of another, easier victim. But his body seemed frozen. Besides, this way least he would see the thing coming. Without the light there would be only darkness, and he would be defenceless.

Maybe, if he lay still, the Monkey Man wouldn’t see him. He would climb up the drainpipe, take a sneaky peak through the window and see only an unkempt, unmade bed. The seconds ticked by, agonizingly slowly. Surely, if the Monkey Man planned to come in he would have by now. It had been a long time since he heard that single scrape and he hadn’t heard any other suspicious sounds since. All was quiet now.

After a seemingly impossible amount of time passed, Toby found himself growing weary. His breathing slowed and his eyelids began to droop. Maybe mum was right, after all. Maybe the Monkey Man really isn’t real. She had promised, and mum never broke a promise. She always told him that was naughty. What was more, she would never let anything happen to him. He was safe here.

Adam Yates might have been lying. That was naughty, too. He had been caught lying in school before. He thought telling fibs made him sound clever, or made other people like him more or something. He was a sad case.

Now he was awfully tired. He could barely keep his eyes open. He was surprised to learn that he no longer cared about the Monkey Man. All he cared about was sleep. Glorious, peaceful sleep. He allowed his lids to close over his grainy eyeballs and almost immediately succumbed to the great dark abyss.

Later, the house was completely still. Nothing stirred, and the only sounds to be heard were the soft snores emanating from the master bedroom. Toby was in a different world now, a world of adventure and magnificent dreamscapes.

Nobody heard the strange, stealthy noises coming from just outside; the scrape of boot against brick, or the creak of the drainpipe as it struggled to bear a weight it was never designed for. Nobody heard the soft click as Toby’s bedroom window was tentatively opened.

Monkey Man was inspired by a story I read in a tabloid newspaper. One of those little ‘Strange But True’ fillers. The story was about an area of northern England being terrorized by a man often seen scaling the front’s of houses. It was probably either a peeping Tom or a burglar on the prowl. But maybe it was something worse, which is what my imagination did with the story. In a nod to his dexterity the media dubbed him the Monkey Man and put a cheeky, light-hearted spin on it. I decided to take it and add a dark twist, resisting the urge to place anyone in a gorilla costume.

This was the first thing I ever had published, by a man called Arthur Smith who ran the iconic Welsh fiction magazine Cambrensis. In fact, it was the first piece of fiction I ever submitted, which set me in a falsely confident state of mind until the rejections started piling up. I think the early success had more to do with Arthur feeling sorry for me than any real skill on my part. I remember submitting the whole manuscript in BLOCK CAPITALS on the suggestion of my dad. Dad, you’ve been right about most things in my life, but you were wrong about that. Readers, please don’t submit manuscripts in block capitals. Anyway, Arthur re-typed the whole thing, edited it, and put it out in an edition of Cambrensis in 1997. I was 23. 

Cambrensis was a labour of love for Arthur. I can’t imagine he ever made any money out of his little enterprise. Especially when you take into account that the payment for publication was a lifetime subscription. As it turned out, the ‘lifetime’ in question was poor old Arthur’s, as he died a few years later and Cambrensis died with him. This is a shout out to you, Arthur, wherever you may be. Thanks for believing.

Monkey Man is available in X, my first collection of short stories.

UK LINK

US LINK

© This is a work of fiction, copyright of the author, C.M. Saunders

DISCLAIMER: Picture nicked from Google Images


The Halloween Sale!

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Being your typical horror nut, I absolutely love Halloween. I love it so much, I’m going to give you a special gift. Not only that, but I’m giving it to you early. Five times, baby. From now until 1st November, all my indie titles are 0.99. I’m also open to offers for my body, my soul, and an Iron Maiden Number of the Beast limited edition 7″ red vinyl, but let’s start with the books.

The sale means you can pick up a novel, two novellas, and two short story collections for less than a fiver, including the Top Ten Amazon bestseller Sker House and my new release No Man’s Land: Horror in the Trenches. Details and links below. So in the immortal words of David Coverdale, If you want it, come an’ get it.

No Man’s Land: Horror in the Trenches

The Somme Offensive, 1916. Harry Doyle is a young, overawed British infantryman struggling to come to terms with the insanity of war. His main objective is staying alive, and getting back home to his family in one piece. But his hopes begin to diminish when he realises the full extent of the misery and destruction around him. And the German war machine isn’t the only thing he has to worry about. Something else is preying on his friends and comrades in the trenches, picking them off one by one. Something no amount of military training can prepare him for.

Proceeds from this book will be donated to the Help for Heroes foundation.

This book contains descriptions of graphic violence and is not suitable for minors.

UK LINK

US LINK

Sker House

Dale and Lucy are two students with a fascination in the supernatural. One weekend, they travel to Sker House, South Wales, a private residence with a macabre history which has recently been converted into a seaside inn. They plan to write an article for their university magazine about a supposed haunting, but when they arrive, they meet a landlord who seems to have a lot to hide. Soon, it becomes apparent that all is not well at Sker House. An air of oppression hangs over it, while misery, tragedy and ill-fortune are commonplace. Gradually, it becomes clear that the true depth of the mystery goes far beyond a mere historical haunting. This is a place where bad things happen, and evil lurks.

Little by little Dale and Lucy fall under Sker’s dark spell, and as they begin to unravel the mysteries of the past, they realize that nothing stays buried forever. Welcome to Sker House, a place where past and present collide.

UK LINK

US LINK

Out of Time

Joe Dawson is a struggling 41-year old writer battling a serious case of writer’s block. When he travels to Wales in a last-ditch attempt to reignite his career, he finds himself staying at a mysterious seaside hotel, where nothing is quite what it seems. As the secrets of his past finally catch up with him, Joe is thrust into a life or death situation where his every action could have terrible consequences.

UK LINK

US LINK

X: A Collection of Horror

This is what happens when you ‘wake up’ inside a dream, when the urban myth you heard turns out to be so much more, and when that hottie you pick up in a bar springs a terrible surprise. But what do you do when your wife gives birth to something not entirely human? When your past discretions come back to haunt you? Or when a serial killer moves in next door?

The first collection of horror and dark fiction from C.M. Saunders, including three previously unpublished stories, plus an introduction and extensive notes. Also features exclusive artwork by Greg Chapman.

Table of Contents: Introduction: That’s Entertainment, A Thin Disguise, A Hell of my Own Creation, Monkey Man, The Awful Truth, Mr. C, Fame / Infamy: A Deconstruction, Another False Dawn, The Night Everything Changed, The Devil & Jim Rosenthal, Club Culture, Afterword

UK LINK

US LINK

X2: Another Collection of Horror

The sequel to 2014’s successful X: A Collection of Horror features ten more slices of dark fiction from the blood-soaked pages of Fantastic Horror, Unspoken Water, Dark Valentine and several anthologies. Also includes two previously unpublished stories, extensive notes, and original artwork by Greg Chapman.

Meet the teacher who sees dead pupils, the ambulance crew who pick up a casualty who won’t die, and the childhood friends who spend the night in a haunted pub. Along the way you can meet a man who refuses to accept his wife’s death and goes to extreme lengths to keep the flame of love alive, the boy who just likes to watch you sleep, and maybe even pay a visit to an antique shop with a deadly secret. If you dare.

Table of Contents: Little Dead Girl, Curiosities, Intruder, The Night Visitor, Hero of the Day, Embracing Solitude, Treat Night, Handsome Jack, Tiny Little Vampires (Flash Version), Roadkill, Afterword

UK LINK

US LINK

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Devil Dogs

My new novella, No Man’s Land: Horror in the Trenches, tells the story of a young British infantryman called Harry Price at the Somme in World War I who ends up fighting not just the Germans, but also an unseen enemy that makes his friends ‘disappear.’ Amongst the usual death and destruction to be found in a war zone, the book features a reanimated corpse, unkillable death squads, and what I refer to as ‘Devil Dogs.’ In the story, these are vicious German Shepherds, symbols of the German war machine, who had their brains transplanted and replaced with those taken from dead SS soldiers. So in effect, they are dogs with people brains. Angry people brains. They are then sent out to prowl no man’s land, the area between the allied and German trenches, looking for victims.

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I wish I could lay claim to making this shit up. But rumour has it that this area of research was part of the infamous Nazi human experiments of the 1940’s during which all manner of cheerful things took place, from sewing sets of twins together to making people drink nothing but sea water so they could study the effects. Some of these experiments also included forced amputations and limb transplants. Yep, just like Mary Shelley’s Frankenstein. Most of this stuff was inflicted on POW’s during World War II, but I moved it to the trenches of World War I to suit my purposes. During war time, or even outside war time, people do such incredibly fucked-up shit to each other you don’t have to make it up. Just read a bit of history.

I couldn’t find any online sources for the transplanting-people-brains-into-dogs thing, so maybe I did make that bit up. Who knows? However, there is some literature relating to Soviet experiments along similar lines concerning the pioneering ‘work’ of Vladimir Petrovich Demikhov in the 1950’s which supposedly led to the first heart transplant in 1967. One of his greatest achievements was bringing a dead dog’s head ‘back to life.’ There’s even footage on YouTube. Some sources suggest this was a continuation of research started by the Nazis a decade earlier, and it’s anyone’s guess what really went on at those sketchy Unit 731 camps.

Ultimately, nobody knows how far they want or if the experiments were successful. Probably not. I imagine it came down to size in the end (doesn’t it always?). I mean a man’s brain wouldn’t fit inside a dog’s head, would it? Unless these particular dogs were genetically engineered or something to make them bigger than the average canine. And the Nazis would never do that, would they? By the way, I took the term Devil Dogs from a nickname the US Marine Corps were given by the Germans. According to Marine Corps legend, they fought with such ferocity at the Battle of Belleau Wood in 1918 that they were likened by the enemy to ‘Dogs from Hell.’

It has a nice ring to it, don’t you think?


The Sker House Blog Tour

It’s finally over. Wow, that was energy sapping. Now I know how Thirty Seconds to Mars felt when they played 309 shows to break the record for the longest ever tour. Well, kinda. I probably got less groupies than they did. but I did meet a lot of cool, like-minded people, and gained some new readers along the way.

Here is a full itinerary of my stops, with links. Please take a few minutes to check out some of the sites. You might find something you like.

Fiona McVie runs an excellent cross-genre site dedicated specifically called Author Interviews. I gave her the lowdown on why I do what I do:

The ultra-cool Scary Reviews is dedicated to horror, post-apocalyptic fiction, dark fiction, thrillers and science fiction books and movies. I stopped by to talk about the REAL Maid of Sker:

Being horror’s #1 community on the web, Horror World should need no introduction. Here I discuss the truth behind Sker House, and why the book needed to be written:

The charming Em Lehrer does a wonderful job over at Keystroke Blog, a review and interview combo site. She’s also one of those uber-sassy young YouTubers who has her own channel called #BookTalk.

Gorefiend caters more toward the splatterpunk and extreme horror side of things. I did something special for them. When I wrote Sker House I incorporated lots of paranormal/supernatural phenomena into it, including Shadow People. They are most definitely real. We just don’t know what the fuck they are.

This is the definitive Sker House article, written for Americymru, the best Welsh ex-pat site you’ll ever see:

You may or may not know, one of the things I do is review books and films for Morpheus Tales, one of the UK’s biggest genre fiction mags. When editor Adam Bradley goes in for an interview, he goes in HARD. This is everything you wanted to know about me but couldn’t be bothered to ask:

There is a lot of historical fact in Sker House. Every country has episodes in their past that they are not proud of. Wales had the Wreckers, which I discussed over at The Horror Bookshelf.

I did an interview with the elegant, ultra-professional and self-confessed snark Lilyn G at Sci-fi & Scary

I spoke to Horror Made about why I ‘turned indie’ and the publishing industry in general.

Got me a namecheck in a piece on haunted houses by Daniel Cheely:

And finally, I went rogue and talked about my unhealthy fascination with Japanese horror movies for those lovable, yet so Deviant Dolls

Welcome to Sker House, a place where past and present collide.

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Finally, guess what? When one adventure finishes, another begins, and I just started the No Man’s Land: Horror in the Trenches blog tour. No rest for the wicked, as they say. So keep half an eye open for my updates and please ‘share’ and ‘like’ occasionally, if so inclined. It means the world to an impoverished indie writer.

Peace and love.


No Man’s Land – Horror in the Trenches

My new novella, No Man’s Land: Horror in the Trenches, is out now via Deviant Dolls Publications. July 1st  2016 marked the 100-year anniversary of the start of the Battle of the Somme in France between the Allies and the German Empire, which is still one of the episodes in human history. In the first hours, eight British soldiers fell PER SECOND and by the time it was over some five months later, there were a million dead.

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The Somme Offensive, 1916. Harry Doyle is a young, overawed British infantryman struggling to come to terms with the insanity of war. His main objective is staying alive, and getting back home to his family in one piece. But his hopes begin to diminish as he realizes the full extent of misery and destruction around him. And the German war machine isn’t the only thing he has to worry about. Something else is preying on his friends and comrades in the trenches, picking them off one by one. Something no amount of military training can prepare him for.

This book contains descriptions of graphic violence and is not suitable for minors. Cover art by Greg Chapman.

Proceeds will be donated to Help for Heroes 

No Man’s Land: Horror in the Trenches is available now, priced £1.99/$2.99:

 Amazon.co.uk

Amazon.com 

Check out more great books from the Deviant Dolls HERE


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