Regular visitors will know I post (or have posted) about whatever takes my fancy. In the past I’ve written about topics as diverse as Bruce Springsteen gigs and animals that shit coffee, but most of my posts are in some way related to teaching, sport, China, horror fiction, music or films. Sometimes, two or more of those categories bleed into each other, which makes me happy. What all these topics have in common is the fact that they’re all important to me. They make my world go around.
I realized some time ago that as our lives trundle on and we get ever older, our perceptions change, as well as our tastes. As our reserves of life experience swell, we come to see things in a different light. This logic applies to a lot of things. You could probably argue that it applies to everything. But it is especially noticeable with regards to music and films, these being the spheres where fads and fashions are most prevalent. For example, how many people were into Johnny Hates Jazz or the Christians in the late 80’s? And how many of those people still play Shattered Dreams or Harvest for the World? Probably not that many. Let’s not forget, the arts also serve as open forums for social commentary, which makes them especially relevant.
This is just one reason why I thought it might be interesting to revisit some classic cinematic moments, and take another look at them in a ‘modern’ context. Or at least, with the benefit of knowing some stuff I probably didn’t know before. Older movies have also generated more academic research, comments and opinions, which I can draw upon as I endeavour to provide some valuable insight, rather than a simple ‘It was rad!’ review.
I’m going to call this my RetView series. Short for Retro Review. See what I did there?
I’m starting with films. Horror films, to be precise, and have earmarked such classics as An American Werewolf in London, the Evil Dead, Eyes Without a Face, Nightmare on Elm Street, The Thing and one of the Alien films (haven’t decided which one yet) for the RetView treatment. I will also re-visit some more modern examples, like the Blair Witch Project, Train to Busan and [REC]. In time I might branch out into other genres, or even music. Hell, I might even dig out some cassettes and fire up my old Sony Walkman. I might leave Johnny Hates Jazz and the Christians out of it, though.
I am well aware that this site needs some structure, so I am going to be aiming for a new a new instalment every month. On the 13th, to be precise, in keeping with the horror theme. Each RetView will contain essential information such as the year the film was released, who directed and starred in it, and a synopsis. Where possible I’ll also scratch beneath the surface to provide a bit of context, make observations where appropriate, and uncover a bit of light-hearted trivia to make the whole thing more slick. The fun starts next week with Lost Boys, one of the greatest 80’s films ever made.
I hope you read my RetViews and take something from them. Like I said, for one reason or another, these are all films that deserve some recognition. Comments, likes, shares and blow jobs are always very much appreciated, and don’t forget to sign up so you never miss an installment.