Tag Archives: writing

The Human Waste Blog Tour

Last year, I did a blog tour for my novel Sker House. It proved not only very successful, but a lot of fun. It was so much fun that I decided to do it again this year to support my latest novella, Human Waste. Below are the details. Please consider paying a visit and/or drop a comment or share a link to help support these awesome hosts!

Acclaimed writer and filmmaker Regina Saint Claire was first out of the blocks, reviewing an ARC for her site the Indie Horror Review.

Close behind was the delightful Irene Cole, who reviewed Human Waste for her Well Worth a Read blog.

Next up I did a guest post about the Top 10 British Comedy Horror Films for the Deviant Dolls. Purely subjective, of course, but you know I’m right.

Then, I dropped in at Teri Polen’s Bad Moon Rising site to give a quick lowdown on Human Waste and chat shit about aliens.

And forced fellow Welshman Andy Graham to host me on his site and let me talk about books, and books, and books. And not even my own books. Not all the time, anyway.

Next up, I was very excited to be part of The Gal in the Blue Mask’s Halloween 2017 Frivolities:

Just for good measure, I also did my first ever character interview with The Gal. And boy, was it fun!

October is a busy month for horror hounds. I dropped into Selene Kallan’s launch party for her novel Starlight on Facebook.

And was featured in P.J Blakey-Novis’ epic 31 Days of Horror event.

Human Waste is available now, exclusively on ebook format.

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Twenty Years!?

I saw a Facebook post recently which reminded me of something. Well, not so much ‘reminded me’ of something, more like hit me over the head with something. It’s been twenty years since I had my first story published. Twenty fucking years. I was going to say it’s been twenty years since I started writing, but that wouldn’t be strictly true. I’ve been writing since I was a kid. My first published story was called Monkey Man, and it came out in a Welsh literature magazine called Cambrensis some time in 1997. It was a different landscape back then. In the late-nineties there was a thriving small press consisting of various genre mags as opposed to a glut of websites. I also had some early success in Raw Nerve, the Asphalt Jungle, Roadworks, Tales of the Grotesque & Arabesque and several others. The thing was, even back then I was very conscious of getting paid for my efforts, and the vast majority of these titles didn’t offer anything except ‘exposure.’ In fact, when you consider materials, printing and postage expenses, in the pre-digital age it actually cost money to submit to publications. It was a two-way street. Being physical entities, it meant these magazines cost money to put together and distribute.

Having flunked all my exams (even English) I was working in a factory at the time for minimum wage. Mostly, I put things in boxes. Soap, shampoo, pills. You name it, I’d put it in a box. I wanted to find some way of generating extra income, so I started submitting feature ideas to newsstand magazines. This was when shows like the X Files and Buffy the Vampire Slayer were at their peak, and this was manifested in the popularity of paranormal-themed publications like Fortean Times, Enigma and Beyond. I soon found my little niche, and what was more, they paid! They paid pretty well, actually. Sometimes, I would get as much money for one 2000-word feature as I would for an entire week slaving in the factory. My magazine work and general fascination with the weird and fucked-up led to me researching and writing my first book, Into the Dragon’s Lair: A Supernatural History of Wales, which was eventually published by a mid-size Welsh publisher called Gwasg Carreg Gwalch in 2003. Into the Dragon’s Lair set my life on a different path. It was targeted mainly at the tourist trade, and generated a lot of media interest. Several national newspapers did stories about it, and I was a guest on a live Radio Wales programme. It all resulted in a division of the Welsh government giving me a grant to go to university as a mature student.

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I had a choice of two; Carlisle and Southampton. I chose the latter because growing up I was a big Matt Le Tissier fan, who played for Southampton FC. It was that simple. Two weeks later, I was enrolled on a journalism degree and working part time as a barman at the football stadium. I’d hardly left Wales before. In my spare time, I decided to knuckle down and write ‘The Great Welsh Novel,’ a partly autobiographical tale called Rainbow’s End. It took a couple of years, but as soon as it was finished it was snapped up by a new start-up publisher called Flarefont, who promptly went bankrupt. During this time, I also started working on a book about Cardiff City FC, which eventually came out in 2014, again on Gwasg Carreg Gwalch, after another publisher strung me along for about three years until eventually pulling the plug.

From the Ashes F

During university, one of the most beneficial things I did, was go on work experience placements at every magazine that would take me (Front, Ice, Maxim, FHM). I learned more during those two-week placements than I did in three years of university, and I managed to form relationships that would serve me well later in my career. After I graduated from university, I freelanced for a year, writing features for Nuts, Record Collector, Rock Sounds, Urban Ink, Chat… It’s Fate, and anyone else who would pay me, before bunking off to China to teach English. I mainly worked at universities, which meant I had a lot of free time during which I continued to freelance, adding China to my list of specialist topics. One freezing Spring Festival in Tianjin, through sheer boredom, I started writing fiction again, a full nine years after my last published effort. Perhaps this explains why some people assume I am relatively ‘new’ to the scene. Nah, mate. Been here a while. Just had a rest. Over the next couple of years I wrote Apartment 14F: An Oriental Ghost Story and Dead of Night (both published by Damnation Books), and Devil’s Island (Rainstorm Press), as well as a clutch of short stories, which would appear in Screams of Terror, Gore, Siren’s Call, the Literary Hatchet, Trigger Warning, Deadman’s Tome, and a few anthologies.

Then, in 2012, I had another huge stroke of luck. A Staff Writer job came up at Nuts magazine and I was given a shot at it mainly because the deputy editor had somehow noticed some of my funny quips on social media. I flew back from China and was suddenly zipping around London fraternizing with models and film stars. But times were already hard in the ‘lad mag’ market, and getting progressively harder. I was soon got laid off as the sector went through its death throes. I reinvented myself as a sports journalist, and landed a job on the new-fangled Sports Direct magazine. That, too, went belly-up for entirely different reasons, and was re-launched as Forever Sports (later FS). After a couple of years as Senior Writer I was offered a promotion and a pay rise, and asked to move to another new launch at a different publishing company. It didn’t work out. I butted heads with my new editor for a while, then left to go back to freelance, and the new launch sank like the Titanic. By this time I was beginning to realize that the magazine industry was a ruthless arena with very little in the way of job security.

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Parallel to my magazine career, I took advantage of the rise in self-publishing and put out a steady stream of material. To help keep a degree of separation from my day job(s) I modified by name for fiction. There were some things I wrote while I was in China (including Sker House, and No Man’s Land: Horror in the Trenches) which just needed tweaking, and I also started gathering my previously-published short stories into a series of collections. I’ve lost a lot of faith in publishing companies, so I much prefer to put these things out myself. That way I can maintain complete control over every aspect of the process from the cover art to the contents and pricing. These days, I make a living by maintaining several revenue streams, fiction and magazine work being just two components. It isn’t easy, but it’s the life I chose. The past two decades have been a hell of a ride. I’ve done things I never thought I would do, and seen things I never thought I would see. I’ve met some amazing people, more than a few cunts, and lived in 12 different places, in eight different towns and cities, in three different countries. I’ve come to realize that moving around is a big part of my identity. I get restless if I stay in one place for too long. I need the constant sense of ‘newness.’ It keeps me focused. All things considered, I’ve far exceeded my own expectations, and anything beats working in that factory.

I can’t wait to see what the next twenty brings.

 


Inside Apartment 14F

My latest novella, Apartment 14F: An Oriental Ghost Story (Uncut), just came out. As the title suggests, it’s a partially re-written and expanded version of an earlier release. The original came out on Damnation Books eight years ago, and truth be told I was never really happy with it. By the time the publisher was absorbed by another company and consequently vanished off the face of the earth a few years later, our contract had expired and all rights reverted back to me. That meant, the story was free for me to do what I wanted with, and I felt a remix was in order.

So here we are.

I wrote the original version of Apartment 14F: An Oriental Ghost Story in January/February 2009, when I was living in the industrial city of Tianjin, northern China. Tianjin is like a Chinese Middlesbrough, only with much harsher winters. Yep, it really is that bad. I’d spent the year before in Beijing, where Apartment 14F is set, and had moved to Tianjin to be closer to my then-girlfriend. Obviously, the moment I moved there she dumped me for another dude, leaving me alone and heartbroken doing a job I hated (teaching English at a primary school) in a freezing cold foreign country far too close to Russia with no friends.

Like most teachers, during the Spring Festival period I had a long holiday. It was too cold to go out for any other reason than buying supplies and Chinese TV is a bit shit, so I decided to do something constructive. Though I’d had a few short stories published in the small press when that was a thing years earlier, I’d taken a long sabbatical from writing fiction to focus on feature writing for magazines (the money is better) and was just beginning to get back into the fiction side of things. To me, it’s always been more of a labour of love. I consider any money I make from it a bonus, but it’s so time-consuming and energy-sapping that I feel I have to justify it somehow.

 There’s a different skill-set involved when writing fiction. It’s a bit like opening a door into your mind, and I’m not always entirely sure I want people to see what’s in there. Subconsciously or otherwise, you write about some pretty personal shit. There’s a lot of my early-China experience in Apartment 14F. The sense of isolation, feeling like an imposter, or an alien, feeling strangely detached as lots of weird shit goes on around you. It all added to the loneliness and simmering resentment.

Apartment 14F: An Oriental Ghost Story started life as a short story called When Eyes Lie (Did I mention how bitter I was about the girlfriend thing?). I submitted it to Damnation Books, who were then a new start-up and had just put out a submission call. They loved it, but said it was too short and could do with being bulked up. It was good advice. There was a lot more I wanted to say, and I’d rushed through the short story. At over 17,000 words, the second version was almost twice as long as the original.

I’d hate to bite the hand that used to feed (they didn’t feed me much, but a little) but over time Damnation Books developed something of a reputation for being difficult to work with. I heard a lot of horror stories from other writers, and not the good kind. It’s not my place to air other people’s dirty washing. If you are interested, you can Google it. All the negativity came later. At the time, like most writers, I was just happy that someone liked my work enough to publish it.

In the case of Apartment 14F, there were a few things they wanted me to change. It’s not that I’m precious. I’m always open to suggestions from editors. It’s their job. But I don’t like making wholescale changes on the whim of someone who’s probably spent barely a few minutes skimming my manuscript, whereas I’d been working on it for months. I could have argued my case, but if you argue too much you get a reputation for being difficult and the publisher is liable to pull the plug on your book. I learned a long time ago to choose my battles. Some things are worth fighting for, and some things just aren’t.

Two key scenes came from different dreams I had. I had a lot of weird dreams when I was in China. Still do. It’s a fucking trippy place . The first dream I worked into the story is the hair in the bed scene. If you read it, you’ll know the part I mean. The second was the fortune teller with the inventive way of telling your fortune. That was one creepy nocturnal escapade, and luckily for me, the creepiness translated well to the page. I just described it as best as I could remember. The feelings, the sensations, the thoughts that ran through my head. That one scene has probably provoked more discussion than anything else I’ve written. Discounting the time I did an assignment for the sadly departed Nuts magazine and had the pleasure of telling the world what Lucy Pinder’s tits thought of the Southampton FC back four. But that was a different kind of writing in a different world.

Apart from being forced into making changes to the story, the other sticking points I had with Damnation Books were the amount of promotion they did for the book (none) and the price they set. Both the paperback and the ebook were on sale for over $7, that’s a lot for a novella-length work by someone you’ve never heard of.

Despite being overpriced, on it’s initial release Apartment 14F: An Oriental Ghost Story did extremely well. When Damnation Books imploded a couple of years later, it was still second in their all-time bestseller list. Okay, I know it’s not like being on the New York Times Bestseller list, but it means something to me. DB released A LOT of books. But like I said, I never really felt comfortable with it. I turned a corner with my writing not long afterwards. Must have been the 10,000-hour rule in effect. I went from being a part time writer to a full-time writer, and started doing a lot more fiction as a kind of release from the day job.

Whenever I went back and read the original version of Apartment 14F, some parts made me cringe. I think I have much more insight now. I lived in china another four years after I wrote the original story. I also like to think I’ve improved a lot as a writer since then, and maybe now I can finally do the idea I had back in ’09 justice. It also has a snazzy new cover…

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As an extra little sweetener, I’m also including a bonus short story, Little Dead Girl, which was first published in a short-lived publication called Unspoken Water (2011) and later in X2: Another Collection of Horror (2015). It’s a story written in a similar vein, ironically based on another deeply disturbing dream I had whilst living in the Middle Kingdom, and also featuring a teacher on the verge of a nervous breakdown as the lead character. You could probably say they are set in the same spooky-ass far eastern universe. The two stories kinda compliment each other well, I think.

This is an edited version of an essay which appears in Apartment 14F: An Oriental Ghost Story (Uncut). Available now on Amazon:

UK LINK

US LINK


Writer’s Block – Pros and Pretenders

For better or for worse (usually worse), I’m involved in a lot of groups on Facebook, Linked In and the like, where writers of varying descriptions flock together to discuss various aspects of ‘the craft.’ The one topic that crops up more than any other in these groups is writer’s block.

The thing is, and feel free to fight me on this if you want, but I don’t think writer’s block exists. It’s a myth perpetuated by hobbyists with delusions of grandeur. The kind of people who sit in the corners of cafes and coffee shops with expensive tablets and skinny lattes because ‘that’s where they do their best work.’

You’ll find these pretenders haunting most establishments. The trendier the better. They’ll sit quietly, smoothing their beards thoughtfully, adjusting their beanies, and making a single hot beverage last three-and-a-half hours. A smug half-smirk will be tugging at the corners of their mouths, and if you listen carefully, you might be able to hear their inner thought process.

I am a gifted individual. People envy me. I write, therefore I am. My words will change the world. But wait, no I don’t want to write any more. Right now I’d rather be checking the Ted Baker website to see if the new knitwear collection is available for pre-order yet. Yeah, that’s what I’ll do. Must be writer’s block. I’m a tortured artist! The angst! Oh, dear creative Gods, deliver me from this hell!

I recently remarked to one of the many ‘WRITER’S BLOCK. AAARGH!” comments that clog up my newsfeed most days that, in my opinion, writer’s block is something that separates the pros from the pretenders. It didn’t go down very well with the supposed victim. I wasn’t being pretentious. The point I was trying to make is when faced with adversity, pros will find a way over, around, or through the obstacle preventing them achieving their goals. Whereas hobbyists, who would just as happily be doing something else anyway, will just give up.

But here’s the rub. They don’t want to admit giving up so easily. That would show weakness, and a lack of integrity. So they pin the blame on something other than themselves instead. Something intangible and unquantifiable, some mysterious ailment that only the supremely gifted can suffer from. Writer’s block is a luxury professionals can’t afford. If they don’t write, they don’t eat and they get evicted. Simple. Have you ever heard of plumber’s block? Dentist’s block? Estate agent’s block? No? That’s because there’s no such thing. Sure, sometimes they have days where they don’t feel like going to work. Just like there are times when you don’t feel like doing the washing up, or changing the bed. That’s when you put your head down, grit your teeth, rise above it and get the job done.

Just to be clear, I have no problem with people writing as a hobby. Quite the opposite, in fact. Generally speaking, I think the human race in general could benefit from reading and writing more. Then maybe a higher percentage of people would be able to spell and punctuate properly and we wouldn’t be such a nation of fucktards.

One acquaintance of mine who complained of suffering from writer’s block said the only thing that alleviates the condition is playing video games, so he did that for three months. Three fucking months. Wait a minute, are you sure you wouldn’t just prefer playing video games? Because it sure seems that way. Incidentally, this writer was unpublished, and it’s easy to see why. I’m not knocking his ability. Who am I to judge? The guy might be a very good writer. Hell, he might even be the best writer who ever lived. The thing is we’ll probably never know, because when the chips are down, he boots up Halo. How many dentists out there do you think take three-month sabbaticals where they don’t work, they just play video games?

I understand that maintaining writer’s block doesn’t exist might be a controversial view.  Message boards and chat forums, even the odd serious article or academic paper, argue otherwise. But what’s really happening here is people misdiagnosing the condition. Writer’s block is an excuse to give up when things get tough. Or, in most cases, a convenient excuse to not do something you don’t even have to do in the first place. Some people just like to blame their inadequacies on things that are supposedly beyond their control. It makes them feel better about being crap at their job or just plain fucking lazy.

I want to leave you with this thought. Real writers write. They don’t sit around pissing and moaning about how hard it is. Those that do it on a regular basis know it’s hard. It’s not the exciting, romantic existence some people seem to think it is. If you’re not enjoying it, or you’re struggling with your latest case of writer’s block, the one that stops you from ever actually writing anything, go find something else to do. Don’t take to social media to bare your soul every ten minutes. It’s boring.

If you want to be a professional, or at least acknowledged as such, act like one. Grow a backbone. Learn about sacrifice, resilience and endeavour. I’m sure Stephen King, Dan Brown and Robert Ludlum would love to kick back and spend three months at a time playing computer games, or watching Friends, or whatever the hell else floats their respective boats. But they don’t. If they did, they wouldn’t have written all those books.

You see? Pros and pretenders.

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This article first appeared on the Deviant Dolls website.


Apartment 14F – Collected Reviews

I recently released a new, updated and uncut version of my novella Apartment 14F: An Oriental Ghost Story. Here is a selection of reviews of the first release.

“Christian takes you by the hand and drags you deep into a world that most of us will never experience and then thrusts you headlong into a mystery we are never sure will be solved. The climax is a twisted view of love and needs unsatisfied, which leaves you wanting to keep the light on. The surrealism within this story is something I haven’t personally experienced in literature since H.P. Lovecraft and Algernon Blackwood.”

– J.F. Taylor, The Monsters Next Door

“In this short story the author tries to illustrate what most humans are afraid of. We fear death and at times we are afraid of dying alone. Saunders also points out a belief of many, that when we die there is another side whether it’s good or bad. The author also great job does in showcasing the Chinese culture and their beliefs and traditions.”

– The Horror press

“Saunders has written a frightening tale full of thrills, chills and unabashed terror ready for avid horror readers to devour. The author shows amazing depth and realism supported by interesting and well developed characters as well as a plot that will require a night light after reading. You might also want to consider checking under the bed. For anyone interested in a chilling tale Apartment 14F: An Oriental Ghost Story is the way to go.”

-Bitten By Books

“Saunders needs to be credited for doing a professional and credible job in this short novella. His portrayal of China and its culture is top-notch.”

-Blood of the Muse

“I thoroughly enjoyed  Apartment 14F. It was a much more melancholy tale than I had expected going in, considering it was a ghost story. But this is not a bad thing. You won’t find any horrific slice’n dice special effects in this graceful and intelligently told tale; instead you will experience a story dripping with atmosphere, loaded with tension and just enough foreshadowing to shock you with its surprise ending.”

-Mark Edward Hall, author of the Haunting of Sam Cabot, The Lost Village, The Blue light series and others

“I liked that Saunders brought a little more depth to the classic Asian horror story. In a lot of Asian fiction, the story gets lost in translation, so the unfamiliar Westerner doesn’t see the whole cultural picture. Saunders kept the story clear and comprehensible.”

-Swamp Dweller Book reviews

“I quite liked Saunders’ writing – there is a slightly sarcastic sense of humour throughout, as well as a sort of modernity (one exposition scene is done through Facebook. It’s kinda cool. The future is now!) and real-ness. He doesn’t bull-shit around with unnecessarily complex weirdness, rather, the writing is straight and to the point, and the story is punctuated by some cool and accurate comments.”

-Sketchy Sketch Blog of Horror

“The way C.M. Saunders has written this book is pretty spectacular. I could almost feel myself in Apartment 14F.. The story gave me goosebumps and tears in my eyes. I give this book a 5 star review. Brilliant.”

-Amazon reviewer

“I first saw this book as a recommend in a magazine. I hadn’t read a book for a while and being a horror story fanatic, I was instantly intrigued by the write up. I read the whole book over 2 days. Quite an original story line, and for once I couldn’t double guess the ending! Well done. With a twist in the tale, I would even liken the style of writing to the master James Herbert.”

-Amazon reviewer

“ANYONE WHO LOVES ASIAN HORROR, NEEDS TO READ THIS BOOK!!! EXCELLENT!!”

-Amazon reviewer

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UK LINK

US LINK


The Paperbacks are Here!

The environment won’t be happy about it, but I’ve finally bowed to pressure and released my indie titles which were previously only available as ebooks on paperback. Benefiting from the treatment and now ready for purchase are Out of Time, Sker House, No Man’s Land: Horror in the Trenches and my latest offering, Apartment 14F: An Oriental Ghost Story (Uncut).

The links will take you to the UK Amazon site, but you should be given the option there to click off it and go to whichever Amazon store is most appropriate to your location.

Take it from me, getting these paperbacks to market wasn’t an easy task. Formatting and getting the covers to fit properly represents a whole new level of fuckery. As you can see, I didn’t succeed every time, and the paperback of Apartment 14F (Uncut) now sports a completely new minimalist look. Ho-hum.

My X Book collections won’t be issued in paperback in their current form. I am still a huge ebook advocate and want to have some e-exclusive stuff in my repertoire. Besides, the plan is to put out book 3 early next year, then combine all three into one bumper volume at some point thereafter. That will represent a much meatier proposition, and better value for money.

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Apartment 14F: An Oriental Ghost Story (Uncut)

My latest book, Apartment 14F: An Oriental Ghost Story (uncut) is out now on ebook and paperback. As the title suggests, it’s a partially re-written and expanded version of an earlier release. The original Apartment 14F: An Oriental Ghost Story came out on Damnation Books back in in 2009. I was never truly happy with that version.

By the time Damnation Books was absorbed by another publishing house and consequently vanished off the face of the earth a few years later, the contract we had decreed that all rights regarding the book had reverted back to me. That meant, it was free for me to do with what I wanted, and I felt a remix was in order.

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When Jerry leaves his old life in London behind and travels to Beijing to take up a teaching position, at first he is enchanted by the brave new world he finds waiting for him. However, things soon take a turn for the worse. Upon his arrival he learns of the mysterious disappearance of his predecessor, and after he moves into his new apartment he is plagued by strange dreams in which he shares the dwelling, and his bed, with a ghostly entity. Then things start going bump in the night, and Jerry soon finds himself embroiled in the kind of supernatural drama that had previously been unthinkable to him.

An encounter with a fortune teller with a difference proves the catalyst for a new wave of terror and eventually, he is forced into the accepting the realization that something else was waiting for him on the other side of the world, and perhaps even in the next world. What’s more, his time is quickly running out.

Apartment 14F: An Oriental Ghost Story (Uncut)  is out now.

Bonus content:

Inside Apartment 14F (essay)

Little Dead Girl (short story)


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